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If, at some future point, my face collapses around my eyes, I'd probably do something about it. My eyes are where I live, and if people couldn't see them, no one would know me.

Heidi Julavits

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Heidi Julavits
Age: 56
Born: 1968
Born: April 20
Author
Journalist
Novelist
Portland
Maine
Future
Collapses
Eye
Collapse
Around
Couldn
Live
Probably
Something
Eyes
Would
Face
People
Point
Faces

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I guess what I find so interesting about memory, and its role in a person's identity, is how the attempt to achieve accuracy requires you to remove yourself from your life in an authorial manner.
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When I was writing my first draft, and feeling grandiose, I e-mailed an artist/clothing designer I know and suggested we collaborate on a fashion line inspired by the outfits my characters wore. I regret that we never did that.
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If I'd done the discovery before I wrote the book, then there would be nothing to discover. It would feel dutiful instead of exciting.
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If you agree with an outside person's interpretation of you, that's a happy bit of affirmation. It means you're communicating externally what you believe to be true internally. If you disagree, it helps clarify how you understand yourself. And maybe makes you productively question how to improve your communication skills.
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If I can just stop being so stressed out, maybe my cancer will get better! This is far less scary than treating a disease of unknown etiology.
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The belief that one's suffering has a greater cosmic purpose, and is thus more exciting and more noble, well, it made a lot of sense to me.
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I love this idea of the body as a trauma archive!
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No matter what you wear, not everyone is going to understand what you're saying.
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I wish somebody knew whether or not I'm Jewish.
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I don't usually read my reviews. I've noticed older reviewers are much more bothered by the plot complications. Younger reviews don't seem to be bothered by the complications at all.
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I've subsequently become conscious of MAKING MEMORIES. Which makes me sound like a scrapbooker.
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Sometimes it can be useful to read your bad reviews.
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I don't think women are, by definition, toxic to one another. I think women are simultaneously competitive toward and idolatrous of each other. I thrive on that challenge and that desire.
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We're taught to find the antecedents to our adult failures in childhood traumas, and so we spend our lives looking bacwards and pointing fingers, rather than bucking up and forging ahead. But what if your childhood was all a big misunderstanding? An elaborate ruse? What does that say about failure? Better yet, what does that say about potential?
Heidi Julavits
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You should never read online comments if you want to keep thoughts above the belt.
Heidi Julavits
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I want the plot to be as complicated as possible. Usually I'll write all the way through to an end, and then I go back and try to fix the ending so that it makes sense. I don't think out the plot ahead of time.
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We're not saints, any of us. Maybe somebody is, but I don't know those people. But we all know people who behave very smugly and are very egotistical and put you down as a manner of improving their own place in the world or improving their own place in the world.
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I obviously read and adore traditional fiction. I teach traditional fiction I also teach all kinds of not-so-traditional fiction.
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I wont deny that I have a far more productive writing life without the Internet, mostly because I rekindle my ability to concentrate on one thing for a period of longer than three minutes. My curiosity is channeled inward rather than Internet-ward.
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Whenever I hang out with my female friends, I feel like context is never needed. They can just say two words about something, it's like hearing the first two notes of a song and you can always identify the song. They can just say a word and I know exactly what they're talking about.
Heidi Julavits