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I don't usually read my reviews. I've noticed older reviewers are much more bothered by the plot complications. Younger reviews don't seem to be bothered by the complications at all.

Heidi Julavits

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Heidi Julavits
Age: 56
Born: 1968
Born: April 20
Author
Journalist
Novelist
Portland
Maine
Younger
Older
Complications
Usually
Reviewers
Seem
Complication
Read
Bothered
Seems
Noticed
Much
Reviews
Plot

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I wouldn't be myself if I weren't always trying to be someone else. I only have so much time on this earth and I want to be as many people as possible.
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If I'd done the discovery before I wrote the book, then there would be nothing to discover. It would feel dutiful instead of exciting.
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I obviously read and adore traditional fiction. I teach traditional fiction I also teach all kinds of not-so-traditional fiction.
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The twisty nature of psychic attack - are you being attacked, or did you bring this attack on yourself? - speaks to me of an American cultural paradox we all grapple with. There's the rampant litigiousness of our society, and the desire to blame others for our misfortunes.
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I guess what I find so interesting about memory, and its role in a person's identity, is how the attempt to achieve accuracy requires you to remove yourself from your life in an authorial manner.
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As a writer, you want to go somewhere else sometimes. You want to vary the terrain that you're exploring.
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The belief that one's suffering has a greater cosmic purpose, and is thus more exciting and more noble, well, it made a lot of sense to me.
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I want the plot to be as complicated as possible. Usually I'll write all the way through to an end, and then I go back and try to fix the ending so that it makes sense. I don't think out the plot ahead of time.
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You should never read online comments if you want to keep thoughts above the belt.
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As such, anything is always possible, even if your protagonist is a plumber. But it's the possibility, the limitless possibilities, of any fake life, that make writing about it so challenging.
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I love this idea of the body as a trauma archive!
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When you are expending much energy on someone else's demise, it's like you weaken your psychic immune system.
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I used to have a really sharp memory. And its loss has proven destabilizing from an identity perspective.
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I don't think women are, by definition, toxic to one another. I think women are simultaneously competitive toward and idolatrous of each other. I thrive on that challenge and that desire.
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When I was writing my first draft, and feeling grandiose, I e-mailed an artist/clothing designer I know and suggested we collaborate on a fashion line inspired by the outfits my characters wore. I regret that we never did that.
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I'm at that age where I notice friends checking out my face and wondering, Has she been Botoxed? There's a new map there people that are trying to read. I think if I did get any kind of enhancement I would be very public about it. I don't want people wondering - I want them to know.
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I really did for a few weeks think, I'm in pain because the world needs me to save it. Which is so ridiculous and egotistical.
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We're not saints, any of us. Maybe somebody is, but I don't know those people. But we all know people who behave very smugly and are very egotistical and put you down as a manner of improving their own place in the world or improving their own place in the world.
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I obviously read and adore traditional fiction. I teach traditional fiction, I also teach all kind of not-so-traditional fiction. And since I'm such a plot buff, and I'm really such a narrative buff, I can't seem to relinquish my - not just reliance - but excitement about those traditional techniques.
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We want to believe we couldn't be replaced, and that the people we love are irreplaceable.
Heidi Julavits