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I don't usually read my reviews. I've noticed older reviewers are much more bothered by the plot complications. Younger reviews don't seem to be bothered by the complications at all.

Heidi Julavits

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Heidi Julavits
Age: 56
Born: 1968
Born: April 20
Author
Journalist
Novelist
Portland
Maine
Read
Bothered
Seems
Noticed
Much
Reviews
Plot
Younger
Older
Complications
Usually
Reviewers
Seem
Complication

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I've subsequently become conscious of MAKING MEMORIES. Which makes me sound like a scrapbooker.
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If I can just stop being so stressed out, maybe my cancer will get better! This is far less scary than treating a disease of unknown etiology.
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Whenever I hang out with my female friends, I feel like context is never needed. They can just say two words about something, it's like hearing the first two notes of a song and you can always identify the song. They can just say a word and I know exactly what they're talking about.
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I don't think fake people living in a fake house in a fake suburb are any less dismissible or believable than a fake psychic attending a fake school in a fake town. Nothing's inherently believable about any kind of fiction, because all of it's untrue.
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We want to believe we couldn't be replaced, and that the people we love are irreplaceable.
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As a writer, you want to go somewhere else sometimes. You want to vary the terrain that you're exploring.
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I wish somebody knew whether or not I'm Jewish.
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We're not saints, any of us. Maybe somebody is, but I don't know those people. But we all know people who behave very smugly and are very egotistical and put you down as a manner of improving their own place in the world or improving their own place in the world.
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I wouldn't be myself if I weren't always trying to be someone else. I only have so much time on this earth and I want to be as many people as possible.
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It's fascinating to imagine two successful writers in one house. But when you think about it, it isn't very unusual. In fact, so many writers have writer spouses.
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I don't think women are, by definition, toxic to one another. I think women are simultaneously competitive toward and idolatrous of each other. I thrive on that challenge and that desire.
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I want the plot to be as complicated as possible. Usually I'll write all the way through to an end, and then I go back and try to fix the ending so that it makes sense. I don't think out the plot ahead of time.
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I'm at that age where I notice friends checking out my face and wondering, Has she been Botoxed? There's a new map there people that are trying to read. I think if I did get any kind of enhancement I would be very public about it. I don't want people wondering - I want them to know.
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I've always said that you were too smart to have a profession. Smart people are hopeless in the face of anything actual. They are terrible cooks. They cannot dress themselves. They are children who need guidance and protecting.
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I obviously read and adore traditional fiction. I teach traditional fiction I also teach all kinds of not-so-traditional fiction.
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I guess what I find so interesting about memory, and its role in a person's identity, is how the attempt to achieve accuracy requires you to remove yourself from your life in an authorial manner.
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We're taught to find the antecedents to our adult failures in childhood traumas, and so we spend our lives looking bacwards and pointing fingers, rather than bucking up and forging ahead. But what if your childhood was all a big misunderstanding? An elaborate ruse? What does that say about failure? Better yet, what does that say about potential?
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If you agree with an outside person's interpretation of you, that's a happy bit of affirmation. It means you're communicating externally what you believe to be true internally. If you disagree, it helps clarify how you understand yourself. And maybe makes you productively question how to improve your communication skills.
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If, at some future point, my face collapses around my eyes, I'd probably do something about it. My eyes are where I live, and if people couldn't see them, no one would know me.
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If I'd done the discovery before I wrote the book, then there would be nothing to discover. It would feel dutiful instead of exciting.
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