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I obviously read and adore traditional fiction. I teach traditional fiction I also teach all kinds of not-so-traditional fiction.

Heidi Julavits

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Heidi Julavits
Age: 56
Born: 1968
Born: April 20
Author
Journalist
Novelist
Portland
Maine
Also
Kind
Adore
Obviously
Traditional
Kinds
Fiction
Teach
Read

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I wish somebody knew whether or not I'm Jewish.
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If I can just stop being so stressed out, maybe my cancer will get better! This is far less scary than treating a disease of unknown etiology.
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You know you're screwed when a Western doctor recommends acupuncture.
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I'm at that age where I notice friends checking out my face and wondering, Has she been Botoxed? There's a new map there people that are trying to read. I think if I did get any kind of enhancement I would be very public about it. I don't want people wondering - I want them to know.
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Whenever I hang out with my female friends, I feel like context is never needed. They can just say two words about something, it's like hearing the first two notes of a song and you can always identify the song. They can just say a word and I know exactly what they're talking about.
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If you agree with an outside person's interpretation of you, that's a happy bit of affirmation. It means you're communicating externally what you believe to be true internally. If you disagree, it helps clarify how you understand yourself. And maybe makes you productively question how to improve your communication skills.
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I wouldn't be myself if I weren't always trying to be someone else. I only have so much time on this earth and I want to be as many people as possible.
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I guess what I find so interesting about memory, and its role in a person's identity, is how the attempt to achieve accuracy requires you to remove yourself from your life in an authorial manner.
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If, at some future point, my face collapses around my eyes, I'd probably do something about it. My eyes are where I live, and if people couldn't see them, no one would know me.
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It's fascinating to imagine two successful writers in one house. But when you think about it, it isn't very unusual. In fact, so many writers have writer spouses.
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When you are expending much energy on someone else's demise, it's like you weaken your psychic immune system.
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Some people just make me feel mentally endangered. Whatever dark stuff is going on in their head, it's coming at me and I need to escape.
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I obviously read and adore traditional fiction. I teach traditional fiction, I also teach all kind of not-so-traditional fiction. And since I'm such a plot buff, and I'm really such a narrative buff, I can't seem to relinquish my - not just reliance - but excitement about those traditional techniques.
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Sometimes it can be useful to read your bad reviews.
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I want the plot to be as complicated as possible. Usually I'll write all the way through to an end, and then I go back and try to fix the ending so that it makes sense. I don't think out the plot ahead of time.
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As such, anything is always possible, even if your protagonist is a plumber. But it's the possibility, the limitless possibilities, of any fake life, that make writing about it so challenging.
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I really did for a few weeks think, I'm in pain because the world needs me to save it. Which is so ridiculous and egotistical.
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You should never read online comments if you want to keep thoughts above the belt.
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