Quote

I presume my work has also always been about reduction without any distraction or after effects, outside emotions, or intimacy or complicity with the subject.

Hedi Slimane

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Hedi Slimane
Age: 56
Born: 1968
Born: July 5
Designer
Fashion Designer
Grand Couturier
Photographer
Effects
Presume
Emotion
Reduction
Also
Distraction
Without
Intimacy
Work
Emotions
Always
Subject
Subjects
Outside
Complicity

More quotes by Hedi Slimane

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David Bowie, for me, was the butchest guy in town. Jagger was like a truck driver.
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I discovered Los Angeles in the late 90s. The city was not at its best at the time, but I fell for it right away. There is something almost haunted about it, a vibrant mythology I find rather inspiring.
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[It's] not one thing this year, one thing another year.
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I shared this idea that fashion starts with a movement, an allure: elusive, defined through perfect proportions.
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I'm going to design again, but I come back when it's the right project, so I keep my passion for it intact.
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I thought I should work more on the idea that you wear a suit or a jacket because of the fun it can provide, because it's a game, because it might even have a sexual quality.
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I'm most interested in that moment when my entire perspective changes, and I have to reconsider everything.
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I only like luxury fashion. You have to decide where you stand. I like well-made, authentic clothes, well-crafted tailoring. I also like the dream and fantasy of luxury, the exception and rarity of it. I have no interest at all in fast retail. It is ambiguous.
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I love California. It has such a strong contribution to the history of culture, and popular culture. For better and worse, of course. Even the worst can be interesting to some degree sometimes for somebody creative.
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Since I was a child, my whole life has revolved around music. It's often while listening to a song that ideas for my fashion collections formed.
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In the future, fast-fashion retailers might change their philosophy toward real efforts to create a world of their own. One can only hope.
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I like it to stay very organic, and to remember a personal story behind all my subjects.
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The framework of men's wear is so narrow, that when you play at the edges you get labeled.
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I always loved designing, but the context needs to be right, and have a positive perspective.
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People always want an explanation about everything and I cannot give it to them. Because I don't know myself. 'Why did you do a pair of pants like that?' I have no idea. I'm not going to have a 20-minute political discussion about the necessity for slashed, painted leather jeans. Basically, I don't know more than you.
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I'd like men to think about evolving into something more sophisticated, more seductive. To explore the possibility of an entirely new masculinity.
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Hedi was and is still misspelled 'Heidi' and my perception of genders ended up slightly out of focus from an early age.
Hedi Slimane
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Sex is not a subject in my photographs, or would only be if it had to do with romance, sometimes vulnerability. The photographs are quite clearly about happiness, or search for happiness.
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Fashion somehow, for me, is purely and happily irrational.
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Together with the rise of the internet, September 11 and its aftermath has changed most of our lives.
Hedi Slimane