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I'm sure someone out there has a workable solution. But what do I know? I make comic books and write about jazz. I do know the difference between right and wrong, though.

Harvey Pekar

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Harvey Pekar
Age: 70 †
Born: 1939
Born: October 8
Died: 2010
Died: July 12
Autobiographer
Comics Writer
Film Writer
Journalist
Music Critic
Writer
Cleveland
Ohio
Write
Solutions
Someone
Jazz
Book
Difference
Right
Differences
Writing
Books
Make
Sure
Workable
Though
Solution
Wrong
Comic

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Even a pretty traditional comic book writer can make valuable contributions to the Internet.
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It's the stuff that happens right in front of your face when there's no routine and everything is unexpected. That's what I want to write about.
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I really don't have a lot in common with the people who attend the Comic Con. It's like assuming that all people who write prose are the same.
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I'm doing research for a large comic book on the Beat Generation guys - Allen Ginsberg and Jack Kerouac and those guys
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It didnt take long to establish myself, as far as people thinking my work was good. They liked it from the start.
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I'd been familiar with comics, and I'd collected 'em when I was a kid, but after I got into junior high school, there wasn't much I was interested in
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When you're dead, it robs life of many of it's pleasures
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Everybody's like everybody else, and everybody's different from everybody else.
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People will believe absurd things - in the 19th century and now.
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Every ethnic group thinks they are the chosen ones.
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I always wanted praise and I always wanted attention I won't lie to you. I was a jazz critic and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.
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You do not pursue potential conflict unless you hold power over your foe.
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I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist
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I'm a guy that likes to sit in one place
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I think comics have far more potential than a lot of people realize.
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My parents' work ethic amazed me. How could they put in such long hours, day after day? Part of the reason was to keep the family going - to keep me going. I realized that, although we had different values derived from different cultures and wouldn't agree on certain issues, they were good people, incredible people, and I loved and respected them.
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I don't write about certain arguments I have with my wife. I'd get my head torn off if wrote about certain things.
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Since about 1980 Kenny Werner has been one of jazz’s unsung heroes
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I decided I was going to tell these stories. I went around and met Crumb. He was the cartoonist. I started realizing comics weren't just kid stuff.
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I met Robert Crumb in 1962 he lived in Cleveland for a while. I took a look at his stuff. Crumb was doing stuff beyond what other writers and artists were doing. It was a step beyond Mad.
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