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I'd been familiar with comics, and I'd collected 'em when I was a kid, but after I got into junior high school, there wasn't much I was interested in

Harvey Pekar

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Harvey Pekar
Age: 70 †
Born: 1939
Born: October 8
Died: 2010
Died: July 12
Autobiographer
Comics Writer
Film Writer
Journalist
Music Critic
Writer
Cleveland
Ohio
School
Juniors
Much
Comics
Ems
Familiar
Interested
Wasn
High
Collected
Kids
Junior

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I've probably had my day in the sun. I think I've influenced a lot of comic book writers
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Everybody's like everybody else, and everybody's different from everybody else.
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I think comics have far more potential than a lot of people realize.
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It makes you feel good to know that there's other people afflicted like you.
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Every ethnic group thinks they are the chosen ones.
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It didnt take long to establish myself, as far as people thinking my work was good. They liked it from the start.
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Even a pretty traditional comic book writer can make valuable contributions to the Internet.
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You do not pursue potential conflict unless you hold power over your foe.
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It's the stuff that happens right in front of your face when there's no routine and everything is unexpected. That's what I want to write about.
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I'm sure someone out there has a workable solution. But what do I know? I make comic books and write about jazz. I do know the difference between right and wrong, though.
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I always wanted praise and I always wanted attention I won't lie to you. I was a jazz critic and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.
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I don't write about certain arguments I have with my wife. I'd get my head torn off if wrote about certain things.
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My parents' work ethic amazed me. How could they put in such long hours, day after day? Part of the reason was to keep the family going - to keep me going. I realized that, although we had different values derived from different cultures and wouldn't agree on certain issues, they were good people, incredible people, and I loved and respected them.
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As a matter of fact, I deliberately look for the mundane, because I feel these stories are ignored. The most influential things that happen to virtually all of us are the things that happen on a daily basis. Not the traumas.
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People who are readers of fiction aren't particularly interested in comic books.
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It's extremely seldom that anybody wants me to change what I've written about them. Generally I portray them in a good light, if they're friends
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I really don't have a lot in common with the people who attend the Comic Con. It's like assuming that all people who write prose are the same.
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I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist
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I met Robert Crumb in 1962 he lived in Cleveland for a while. I took a look at his stuff. Crumb was doing stuff beyond what other writers and artists were doing. It was a step beyond Mad.
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