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I don't write about certain arguments I have with my wife. I'd get my head torn off if wrote about certain things.

Harvey Pekar

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Harvey Pekar
Age: 70 †
Born: 1939
Born: October 8
Died: 2010
Died: July 12
Autobiographer
Comics Writer
Film Writer
Journalist
Music Critic
Writer
Cleveland
Ohio
Wife
Head
Write
Certain
Writing
Arguments
Things
Torn
Wrote
Argument

More quotes by Harvey Pekar

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Since about 1980 Kenny Werner has been one of jazz’s unsung heroes
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It's extremely seldom that anybody wants me to change what I've written about them. Generally I portray them in a good light, if they're friends
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I'm sure someone out there has a workable solution. But what do I know? I make comic books and write about jazz. I do know the difference between right and wrong, though.
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I think comics have far more potential than a lot of people realize.
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It makes you feel good to know that there's other people afflicted like you.
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I'd been familiar with comics, and I'd collected 'em when I was a kid, but after I got into junior high school, there wasn't much I was interested in
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Every ethnic group thinks they are the chosen ones.
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As a matter of fact, I deliberately look for the mundane, because I feel these stories are ignored. The most influential things that happen to virtually all of us are the things that happen on a daily basis. Not the traumas.
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It's the stuff that happens right in front of your face when there's no routine and everything is unexpected. That's what I want to write about.
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I really don't have a lot in common with the people who attend the Comic Con. It's like assuming that all people who write prose are the same.
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I'm doing research for a large comic book on the Beat Generation guys - Allen Ginsberg and Jack Kerouac and those guys
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I think you can do anything with comics that you could do in just about any art form.
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I think that the so-called average person often exhibits a great deal of heroism in getting through an ordinary day . . .
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I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist
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Everybody's like everybody else, and everybody's different from everybody else.
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I met Robert Crumb in 1962 he lived in Cleveland for a while. I took a look at his stuff. Crumb was doing stuff beyond what other writers and artists were doing. It was a step beyond Mad.
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I decided I was going to tell these stories. I went around and met Crumb. He was the cartoonist. I started realizing comics weren't just kid stuff.
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And no business can possibly equate happy workers (community) with profit (effectiveness). Happy workers are much more productive workers and hence contribute to profit, but no organization is formed for the idea of pleasing its employees.
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My parents' work ethic amazed me. How could they put in such long hours, day after day? Part of the reason was to keep the family going - to keep me going. I realized that, although we had different values derived from different cultures and wouldn't agree on certain issues, they were good people, incredible people, and I loved and respected them.
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It didnt take long to establish myself, as far as people thinking my work was good. They liked it from the start.
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