To create characters, one must build background. And one of the tools we use is improvisation.

I've always found it not only easy, but enjoyable. It's necessary for us to reach out and I'm speaking for myself here. I certainly have a sense of responsibility to reach out to these people in the theatre who might look to someone like me for some guidance.

She had said one time, make a choice and do it like Hercules. So if that is all of what is being offered, the idea is to always do it like Hercules and I always followed her advise and now I'm here talking to you.

I mean, you work and you try and find the work that suits you the best and you enjoy the most.

He brought imagination to the story of the Creation.

I believe every day when I wake up and go to bed and during my dreaming time there's some moment of truth that's in front of me that will always be in front of me until the end of days.

I don't think about those things, really. I work hard on everything I do. Everything is a struggle, everything is hard, everything is difficult.

I grew up with a lot of guys, some of them are dead, some of them are this and some of them that, and some of them very, very powerful, bright young men, who became this instead of that simply because of a lack of guidance - that's all.

I read, I think, I play, I work. And all that thinkingand playing and reading comes into my art. I couldn't really sithere and delineate for you what the thought process is. I can perhapssay that literature, psychoanalysis and theater have been very valuableexperiences that have informed and nourished me along the way.

You didn't hear the angels singing. It was brought down to Mother Earth, which is where it should be. And that led me to a lot of other reading.

All actors do that. Should do that and do that. For the most part. I say all actors. I'm exaggerating, but you know who does and who doesn't. Vince is a wonderful young actor who knows his work and did a beautiful job on this film.

It's always a pleasure to see John. I'm fond of telling people that when I was a young actor in NY and had no work ,no money, you know the story because you're heard it before.

So there's no such thing as one too many this, one too many that. I remember, you're reminding me of early in my career, somebody said to me: why are you taking so many roles as a policeman.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

That's like asking a cobbler if he's made too many pairs of shoes.

They have equal weight and you do the same work you'd do if you were playing a dramatic role.

Everything is difficult, and everything worthwhile is difficult. A certain need, a need not unlike Mickey had: to know, to understand, and I had that need to understand and to know.