Quote

You’re really cute, Midori,” I corrected myself. “What do you mean really cute?” “So cute the mountains crumble and the oceans dry up.

Haruki Murakami

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Haruki Murakami
Age: 75
Born: 1949
Born: January 12
Athletics Competitor
Essayist
Linguist
Novelist
Prosaist
Science Fiction Writer
Translator
University Teacher
Writer
Kyōto
Murakami Haruki
Dry
Cute
Mountains
Mountain
Ocean
Crumble
Mean
Corrected
Really
Oceans

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If you think God’s there, He is. If you don’t, He isn’t. And if that’s what God’s like, I wouldn’t worry about it.
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All things in my novels are real for me. Some western critics said that Garcia Marquez's novels are magic realism. However, I believe that Marquez must have experienced everything in his novels.
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Beyond the edge of the world there’s a space where emptiness and substance neatly overlap, where past and future form a continuous, endless loop. And, hovering about, there are signs no one has ever read, chords no one has ever heard.
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Life is a lot more fragile than we think. So you should treat others in a way that leaves no regrets. Fairly, and if possible, sincerely.
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Maybe working on the little things as dutifully and honestly as we can is how we stay sane when the world is falling apart.
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If I'm going to merely ramble, maybe I should just snuggle under the warm covers, think of Miu, and play with myself.
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I was feeling lonely without her, but the fact that I could feel lonely at all was consolation. Loneliness wasn't such a bad feeling. It was like the stillness of the pin oak after the little birds had flown off.
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I have a million things to talk to you about. All I want in this world is you. I want to see you and talk. I want the two of us to begin everything from the beginning.
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I could have been a cult writer if I'd kept writing surrealistic novels. But I wanted to break into the mainstream, so I had to prove that I could write a realistic book.
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Even if we could turn back, we'd probably never end up where we started.
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You have to dream intentionally. Most people dream a dream when they are asleep. But to be a writer, you have to dream while you are awake, intentionally.
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We're both looking at the same moon, in the same world. We're connected to reality by the same line. All I have to do is quietly draw it towards me.
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It's true that at the time I was fond of Kurt Vonnegut and Richard Brautigan, and it was from them that I learned about this kind of simple, swift-paced style, but the main reason for the style of my first novel is that I simply did not have the time to write sustained prose.
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Good style happens in one of two ways: the writer either has an inborn talent or is willing to work herself to death to get it.
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In dreams you don't need to make any distinctions between things. Not at all. Boundaries don't exist. So in dreams there are hardly ever collisions. Even if there are, they don't hurt. Reality is different. Reality bites. Reality, reality.
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An expectation was there, mixed in with so many other emotions - excitement, resignation, hesitation, confusion, fear - that would well up then wither on the vine. You're optimistic one moment, only to be racked the next by the certainty that it will all fall to pieces. And in the end it does.
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You know what girls are like. They turn twenty or twenty-one and all of a sudden they start having these concrete ideas. They get super realistic. And when that happens, everything that seemed so sweet and lovable about them begins to look ordinary and depressing.
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Whiskey, like a beautiful woman, demands appreciation. You gaze first, then it's time to drink.
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Most young people were getting jobs in big companies, becoming company men. I wanted to be individual.
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