I love playing a character that has more than 90 minutes, and that keeps going.

The Victorian world is extremely dark and extremely bright.

I look for something that grabs me and that's heartfelt, and that's coming from a good place. I want to work with good actors and with directors that I can learn from.

There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.

The different variables involved in anything creative, really, are massive. When it comes together, it just clicks, I suppose.

None of us really know where we're going.