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I shaved my hairline back and dyed my hair and wore a little powder, a little paint, a fat suit, and I changed my voice, but the emotions were consistent with what the point of the scene [with Branch Rickey] was.
Harrison Ford
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Harrison Ford
Age: 82
Born: 1942
Born: July 13
Actor
Environmentalist
Film Actor
Film Producer
Voice Actor
Swedish Covenant Hospital
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Emotion
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Hair
Fats
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Rickey
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I try to preserve a certain amount of time away from the movies, so I don't allow time to do those smaller parts that might give me an opportunity to do more seemingly 'artful' things. Although, having said that, I don't feel any lack of noble purpose if I do a film that's commercial.
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When I met scientists, I found them to be as various as any other group of people.
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Everything I do, I'm sort of half in, half out.
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I'm addicted to Altoids. I call them 'acting pills.'
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The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
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The kindest word to describe my performance in school was Sloth.
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The best movies are made from a point of view of an understanding of human nature and an understanding of history and an understanding of what motivates people, of what makes a good movie from an emotional place.
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There is no barrier to Indiana Jones growing older. It's not an age-based character. We can't bang him up as much as we used to, maybe. But I guess I can pretend to have the capacity as well as I pretended before.
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Baseball was a metaphor for America, both here and in terms of how it was understood by the rest of the world.
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I knew that there was an aspect to this story that was beyond the typical and that it was something very important about America, about our culture, and about bringing a story to a new generation that perhaps didn't know the details of it, (and) hadn't had the visceral experience that this film is [42].
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Hard work and a proper frame of mind prepare you for the lucky breaks that come along -- or don't.
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To me, success is choice and opportunity.
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Los Angeles is where you have to be if you want to be an actor. You have no choice. You go there or New York. I flipped a coin about it. It came up New York, so I flipped again. When you're starting out to be an actor, who wants to go where it's cold and miserable and be poor there?
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A bad guy in a movie has a lot of latitude for acting. He can walk up the wall, crawl across the ceiling, go piss in the corner and everybody will say, Fantastic! But somebody's going to have to catch that sucker. Somebody's going to have to play the guy who gets him in the end. And that's a better part.
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For some directors, I'm the actor from hell.
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Never again will I allow our political self-interest to deter us from doing what we know to be morally right. Atrocity and terror are not political weapons. And to those who would use them, your day is over. We will never negotiate. We will no longer tolerate and we will no longer be afraid. It's your turn to be afraid.
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