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It's a wonderful opportunity to be part of a child's growing up, which is always an endless springtime. You see the blossoming and the growing and the nurturing and the payoff.
Harrison Ford
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Harrison Ford
Age: 82
Born: 1942
Born: July 13
Actor
Environmentalist
Film Actor
Film Producer
Voice Actor
Swedish Covenant Hospital
Growing
Wonderful
Child
Opportunity
Blossoming
Part
Payoff
Children
Springtime
Always
Nurturing
Endless
More quotes by Harrison Ford
What I think is important for a young person is to figure out how to be useful and not be so concentrated on themselves, but to see what they can do to make the overall collaboration with all the other people involved in a movie work better.
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I never feel sexy. I have a distant relationship with the mirror.
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When I first started out, I was a bad actor.
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Never again will I allow our political self-interest to deter us from doing what we know to be morally right. Atrocity and terror are not political weapons. And to those who would use them, your day is over. We will never negotiate. We will no longer tolerate and we will no longer be afraid. It's your turn to be afraid.
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I don't mind doing interviews. I don't mind answering thoughtful questions. But I'm not thrilled about answering questions like, 'If you were being mugged, and you had a lightsaber in one pocket and a whip in the other, which would you use?'
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For some directors, I'm the actor from hell.
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I rarely play a real person, because I don't think I'm a good imitator.
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I don't take trouble at all to conform a screenplay to my iconography. I don't say, We can't do that - the audience wouldn't accept it. I try to take the limitations of what is required to play a leading character and then screw with them.
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I'm like a fireman. When I go out on a call, I want to put out a big fire, I don't want to put out a fire in a dumpster.
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Hollywood's got its own particular environment.
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Because the character is a fiction, he's a composite of other contributors to the science that brought this enzyme therapy through the process. We had the opportunity to make him up out of those things that helped tell the story. We wanted to create both ally and antagonist for John [in the Extraordinary measures].
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When I met scientists, I found them to be as various as any other group of people.
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I think people only have so much interest in anybody, and if you barrage them in between the times you have something to offer them you become a personality rather than an actor - much more short-lived. I only work once a year. And that's enough.
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My character is meant to know nothing about rap, and not to like it very much, but I know about it, because my kids make me listen to it. There's some rap I do like very much. I like Eminem, Blackalicious.
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You get a sense of reference there. You feel part of something that's got order and balance and harmony to it. All the distraction and noise, all the confusion of misplaced, misdirected energy just don't happen there.
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The Force is within you. Force yourself.
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That's always my ambition is to create a character out of what will help tell the story. I've never been an actor to say my character wouldn't do that, because he should do that in order to help tell the story.
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Everything I do, I'm sort of half in, half out.
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I try to preserve a certain amount of time away from the movies, so I don't allow time to do those smaller parts that might give me an opportunity to do more seemingly 'artful' things. Although, having said that, I don't feel any lack of noble purpose if I do a film that's commercial.
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It took me a long time to figure out how to act, and how to conduct myself in the business so I could get what I felt I needed to support my potential and give them what they wanted.
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