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There is no child left within me, none whatsoever.

Harrison Ford

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Harrison Ford
Age: 82
Born: 1942
Born: July 13
Actor
Environmentalist
Film Actor
Film Producer
Voice Actor
Swedish Covenant Hospital
Children
Whatsoever
None
Child
Within
Left

More quotes by Harrison Ford

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I don't think I've mastered anything. I'm still wrestling with the same frustrations, the same issues, the same problems as I always did. That's what life is like.
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It took me a long time to figure out how to act, and how to conduct myself in the business so I could get what I felt I needed to support my potential and give them what they wanted.
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Bikes and planes aren’t about going fast or having fun they’re toys, but serious ones.
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I get mad when people call me an action movie star. Indiana Jones is an adventure film, a comic book, a fantasy.
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Nothing shocks me. I'm a scientist.
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Los Angeles is where you have to be if you want to be an actor. You have no choice. You go there or New York. I flipped a coin about it. It came up New York, so I flipped again. When you're starting out to be an actor, who wants to go where it's cold and miserable and be poor there?
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Whoever had the bright idea of putting Indiana Jones in a leather jacket and a fedora in the jungle ought to be dragged into the street and shot.
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My character is meant to know nothing about rap, and not to like it very much, but I know about it, because my kids make me listen to it. There's some rap I do like very much. I like Eminem, Blackalicious.
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I realized early on that success was tied to not giving up.
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A bad guy in a movie has a lot of latitude for acting. He can walk up the wall, crawl across the ceiling, go piss in the corner and everybody will say, Fantastic! But somebody's going to have to catch that sucker. Somebody's going to have to play the guy who gets him in the end. And that's a better part.
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There's a real simple analogy. You have to perceive it from the ground up. You have to lay a firm foundation, then every step becomes part of a logical process.
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I prefer to be part of a positive statement. I'm not interested in the psyche of a serial killer. What I'm interested in is creating a situation in which people get some emotional exercise, which makes them feel like human beings and makes them understand that they are part of the human community with all its responsibilities.
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Really, what are the options? Levi's or Wranglers. And you just pick one. It's one of those life choices.
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I found out that drama was a fascinating exercise as a way to get out of my self and into somebody else's head.
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I knew that there was an aspect to this story that was beyond the typical and that it was something very important about America, about our culture, and about bringing a story to a new generation that perhaps didn't know the details of it, (and) hadn't had the visceral experience that this film is [42].
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I don't take trouble at all to conform a screenplay to my iconography. I don't say, We can't do that - the audience wouldn't accept it. I try to take the limitations of what is required to play a leading character and then screw with them.
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I have an attorney. I'm looking to be rich like Harrison [Ford]. I'm trying to have planes and do all that stuff.
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I shaved my hairline back and dyed my hair and wore a little powder, a little paint, a fat suit, and I changed my voice, but the emotions were consistent with what the point of the scene [with Branch Rickey] was.
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Money is really only important if you don't have any.
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What I think is important for a young person is to figure out how to be useful and not be so concentrated on themselves, but to see what they can do to make the overall collaboration with all the other people involved in a movie work better.
Harrison Ford