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I rarely play a real person, because I don't think I'm a good imitator.
Harrison Ford
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Harrison Ford
Age: 82
Born: 1942
Born: July 13
Actor
Environmentalist
Film Actor
Film Producer
Voice Actor
Swedish Covenant Hospital
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Play
Real
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Thinking
Imitator
Rarely
Persons
More quotes by Harrison Ford
You may get real tired watching me, but I'm not going to quit.
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I have an attorney. I'm looking to be rich like Harrison [Ford]. I'm trying to have planes and do all that stuff.
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I think people only have so much interest in anybody, and if you barrage them in between the times you have something to offer them you become a personality rather than an actor - much more short-lived. I only work once a year. And that's enough.
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The best movies are made from a point of view of an understanding of human nature and an understanding of history and an understanding of what motivates people, of what makes a good movie from an emotional place.
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I prefer to be part of a positive statement. I'm not interested in the psyche of a serial killer. What I'm interested in is creating a situation in which people get some emotional exercise, which makes them feel like human beings and makes them understand that they are part of the human community with all its responsibilities.
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My character is meant to know nothing about rap, and not to like it very much, but I know about it, because my kids make me listen to it. There's some rap I do like very much. I like Eminem, Blackalicious.
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The loss of anonymity is something that nobody can prepare you for. When it happened, I recognized that I'd lost one of the most valuable things in life. To this day, I'm not all that happy about it
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Bikes and planes aren’t about going fast or having fun they’re toys, but serious ones.
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The only thing hard about being an actor is being out of work. So, when you get a job - that part ain't hard at all.
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Hard work and a proper frame of mind prepare you for the lucky breaks that come along -- or don't.
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[On being an actor] .nothing more than a worker in a service occupation . It's like being a waiter or a gas station attendant, but I'm waiting on 6 million people in a week if I'm lucky.
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You get a sense of reference there. You feel part of something that's got order and balance and harmony to it. All the distraction and noise, all the confusion of misplaced, misdirected energy just don't happen there.
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I came across the script [42], and I read it, and I said, I really want to do this. And when I had my agent call, they said, ah, you know, it's not what they're looking for. So, OK. And then I let it go for a while, and then it just kept gnawing at me, so I kept pushing.
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I try to preserve a certain amount of time away from the movies, so I don't allow time to do those smaller parts that might give me an opportunity to do more seemingly 'artful' things. Although, having said that, I don't feel any lack of noble purpose if I do a film that's commercial.
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What I look for is identifying what the utility of a character is to the telling of the story overall. If I can identify that from reading the script, then I've got a clear idea of whether or not I think the character is worth playing.
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That's always my ambition is to create a character out of what will help tell the story. I've never been an actor to say my character wouldn't do that, because he should do that in order to help tell the story.
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Starring in a science-fiction film doesn't mean you have to act science fiction.
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The basic skill of an actor is, in fact, empathy, and that's maybe not a skill, it's a disposition. I am an assistant storyteller. I enjoy feeling useful to a team effort. It's my way of finding a use for myself, a utility in this world.
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There's a real simple analogy. You have to perceive it from the ground up. You have to lay a firm foundation, then every step becomes part of a logical process.
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I'm like old shoes, I've never been hip.
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