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The struggle to make an absolute statement in an individually conceived vocabulary accounts for the profound tensions inherent in the best modern work.

Harold Rosenberg

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Harold Rosenberg
Age: 72 †
Born: 1906
Born: February 2
Died: 1978
Died: July 11
Art Critic
Art Historian
Journalist
Philosopher
Teacher
Writer
New York City
New York
Best
Tension
Work
Statements
Make
Absolutes
Tensions
Absolute
Individually
Accounts
Conceived
Profound
Vocabulary
Struggle
Statement
Modern
Inherent

More quotes by Harold Rosenberg

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Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it. Advanced art today is no longer a cause -it contains no moral imperative. There is no virtue in clinging to principles and standards, no vice in selling or in selling out.
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Co-operating critics comb the studios like big-league scouts, prepared to spot the art of the future and to take lead in establishing reputations. Art historians stand by ready with cameras and notebooks to make sure every novel detail is safe for the record. The tradition of the new has reduced all other traditions to triviality.
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In the United States, revolts tends to be directed against specific situations, rarely against the social structure as a whole.
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Both art and the artist lack identity and define themselves only through their encounter with each other.
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The big moment came when it was decided to paint...Just To Paint. The gesture on the canvas was a gesture of liberation, from Value- political, aesthetic, moral.
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Not only were the minds of artists formed by the university in the same mold were formed those of the art historians, the critics, the curators, and the collectors by whom their work was evaluated. With the rise of Conceptual art, the classroom announced its final triumph over the studio.
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Avant-gardism is an addiction that can be appeased only by a revolution in permanence.
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What better way to prove that you understand a subject than to make money out of it?
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An artist is a person who has invented an artist.
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Loiter in the neighborhood of a problem. After a while a solution strolls by.
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At a certain moment the canvas began to appear to one American painter after another as an arena in which to act-rather than as a space in which to reproduce, re-design, analyze or express an object, actual or imagined. What was to go on the canvas was not a picture but an event.
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Kitsch is art that follows established rules in a time when all rules in art are put into question by each artist.
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The artist does not exist except as a personification, a figure of speech that represents the sum total of art itself. It is painting that is the genius of the painter, poetry of the poet, and a person is a creative artist to the extent that he participates in that genius.
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American time has stretched around the world. It has become the dominant tempo of modern history, especially of the history of Europe.
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Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it.
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For the artist, fulfillment of self consists not in marching in the ranks of the liberators but in being entered in the roll of the Masters. The artist tends to find himself in the position of a deserter from his social group or, at best, one who collaborates, with secret reservations.
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Art has arrived at the paradox that tradition itself requires the occurrence of radical attacks on tradition.
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A painter with prestige among painters is bound to be discovered sooner or later.
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Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.
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Imitation of the art of earlier centuries, as that done by Picasso and Modigliani , is carried on not to perpetuate ancient values but to demonstrate that new aesthetic orders now prevail.
Harold Rosenberg