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Not only were the minds of artists formed by the university in the same mold were formed those of the art historians, the critics, the curators, and the collectors by whom their work was evaluated. With the rise of Conceptual art, the classroom announced its final triumph over the studio.

Harold Rosenberg

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Harold Rosenberg
Age: 72 †
Born: 1906
Born: February 2
Died: 1978
Died: July 11
Art Critic
Art Historian
Journalist
Philosopher
Teacher
Writer
New York City
New York
Artists
Studio
Conceptual
Minds
Triumph
Historians
Artist
Final
Collectors
Art
Finals
Announced
Work
Studios
Mold
Mind
Rise
Classroom
Curators
Critics
Formed
Evaluated
University
Historian
Curator

More quotes by Harold Rosenberg

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The artist does not exist except as a personification, a figure of speech that represents the sum total of art itself. It is painting that is the genius of the painter, poetry of the poet, and a person is a creative artist to the extent that he participates in that genius.
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Kitsch is the daily art of our time, as the vase or the hymn was for earlier generations. For the sensibility it has that arbitrariness and importance which works take on when they are no longer noticeable elements of the environment. In America kitsch is Nature. The Rocky Mountains have resembled fake art for a century.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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Both art and the artist lack identity and define themselves only through their encounter with each other.
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For the artist, fulfillment of self consists not in marching in the ranks of the liberators but in being entered in the roll of the Masters. The artist tends to find himself in the position of a deserter from his social group or, at best, one who collaborates, with secret reservations.
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In reality, however, an artist is a product of art
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Kitsch is art that follows established rules in a time when all rules in art are put into question by each artist.
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Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.
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The struggle to make an absolute statement in an individually conceived vocabulary accounts for the profound tensions inherent in the best modern work.
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In the United States, revolts tends to be directed against specific situations, rarely against the social structure as a whole.
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No dealer, curator, buyer or critic, or any existing combination of these, can be depended on to produce a reputation that is more than a momentary flurry.
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Whoever undertakes to create soon finds himself engaged in creating himself.
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Art has arrived at the paradox that tradition itself requires the occurrence of radical attacks on tradition.
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Abstract art as it is conceived at present is a game bequeathed to painting and sculpture by art history. One who accepts its premises must consent to limit his imagination to a depressing casuistry regarding the formal requirements of modernism.
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Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it.
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Loiter in the neighborhood of a problem. After a while a solution strolls by.
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Avant-gardism is an addiction that can be appeased only by a revolution in permanence.
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What better way to prove that you understand a subject than to make money out of it?
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Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it. Advanced art today is no longer a cause -it contains no moral imperative. There is no virtue in clinging to principles and standards, no vice in selling or in selling out.
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The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.
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