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How much the work of an artist owes to an art movement to which he belongs can never be determined exactly, if only because the movement derives its character from the individual creations of its members.

Harold Rosenberg

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Harold Rosenberg
Age: 72 †
Born: 1906
Born: February 2
Died: 1978
Died: July 11
Art Critic
Art Historian
Journalist
Philosopher
Teacher
Writer
New York City
New York
Character
Determined
Work
Exactly
Much
Members
Never
Creation
Movement
Derives
Individual
Creations
Artist
Owes
Art
Belongs

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What better way to prove that you understand a subject than to make money out of it?
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Whoever undertakes to create soon finds himself engaged in creating himself.
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In reality, however, an artist is a product of art
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Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.
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The struggle to make an absolute statement in an individually conceived vocabulary accounts for the profound tensions inherent in the best modern work.
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The big moment came when it was decided to paint...Just To Paint. The gesture on the canvas was a gesture of liberation, from Value- political, aesthetic, moral.
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Imitation of the art of earlier centuries, as that done by Picasso and Modigliani , is carried on not to perpetuate ancient values but to demonstrate that new aesthetic orders now prevail.
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Loiter in the neighborhood of a problem. After a while a solution strolls by.
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Kitsch is art that follows established rules in a time when all rules in art are put into question by each artist.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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The artist does not exist except as a personification, a figure of speech that represents the sum total of art itself. It is painting that is the genius of the painter, poetry of the poet, and a person is a creative artist to the extent that he participates in that genius.
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Art has arrived at the paradox that tradition itself requires the occurrence of radical attacks on tradition.
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A painter with prestige among painters is bound to be discovered sooner or later.
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An artist is a person who has invented an artist.
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Both art and the artist lack identity and define themselves only through their encounter with each other.
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Avant-gardism is an addiction that can be appeased only by a revolution in permanence.
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At a certain moment the canvas began to appear to one American painter after another as an arena in which to act-rather than as a space in which to reproduce, re-design, analyze or express an object, actual or imagined. What was to go on the canvas was not a picture but an event.
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