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Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.

Harold Rosenberg

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Harold Rosenberg
Age: 72 †
Born: 1906
Born: February 2
Died: 1978
Died: July 11
Art Critic
Art Historian
Journalist
Philosopher
Teacher
Writer
New York City
New York
Art
Creations
Mean
Genuinely
Appreciated
Periods
Created
Creation
Present
Means
Apprehending

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Both art and the artist lack identity and define themselves only through their encounter with each other.
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What better way to prove that you understand a subject than to make money out of it?
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An artist is a person who has invented an artist.
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Kitsch is art that follows established rules in a time when all rules in art are put into question by each artist.
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Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it. Advanced art today is no longer a cause -it contains no moral imperative. There is no virtue in clinging to principles and standards, no vice in selling or in selling out.
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No dealer, curator, buyer or critic, or any existing combination of these, can be depended on to produce a reputation that is more than a momentary flurry.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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The artist does not exist except as a personification, a figure of speech that represents the sum total of art itself. It is painting that is the genius of the painter, poetry of the poet, and a person is a creative artist to the extent that he participates in that genius.
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A painter with prestige among painters is bound to be discovered sooner or later.
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For the artist, fulfillment of self consists not in marching in the ranks of the liberators but in being entered in the roll of the Masters. The artist tends to find himself in the position of a deserter from his social group or, at best, one who collaborates, with secret reservations.
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The struggle to make an absolute statement in an individually conceived vocabulary accounts for the profound tensions inherent in the best modern work.
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Whoever undertakes to create soon finds himself engaged in creating himself.
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Not only were the minds of artists formed by the university in the same mold were formed those of the art historians, the critics, the curators, and the collectors by whom their work was evaluated. With the rise of Conceptual art, the classroom announced its final triumph over the studio.
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Abstract art as it is conceived at present is a game bequeathed to painting and sculpture by art history. One who accepts its premises must consent to limit his imagination to a depressing casuistry regarding the formal requirements of modernism.
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Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it.
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American time has stretched around the world. It has become the dominant tempo of modern history, especially of the history of Europe.
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Art has arrived at the paradox that tradition itself requires the occurrence of radical attacks on tradition.
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The aim of every authentic artist is not to conform to the history of art, but to release himself from it in order to replace it with his own history.
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Avant-gardism is an addiction that can be appeased only by a revolution in permanence.
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Imitation of the art of earlier centuries, as that done by Picasso and Modigliani , is carried on not to perpetuate ancient values but to demonstrate that new aesthetic orders now prevail.
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