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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
Harold Rosenberg
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Harold Rosenberg
Age: 72 †
Born: 1906
Born: February 2
Died: 1978
Died: July 11
Art Critic
Art Historian
Journalist
Philosopher
Teacher
Writer
New York City
New York
Critics
Degrees
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Work
Safeguard
Dullness
Fascinating
Determination
Degree
More quotes by Harold Rosenberg
An artist is a person who has invented an artist.
Harold Rosenberg
Both art and the artist lack identity and define themselves only through their encounter with each other.
Harold Rosenberg
The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.
Harold Rosenberg
Whoever undertakes to create soon finds himself engaged in creating himself.
Harold Rosenberg
Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.
Harold Rosenberg
At a certain moment the canvas began to appear to one American painter after another as an arena in which to act-rather than as a space in which to reproduce, re-design, analyze or express an object, actual or imagined. What was to go on the canvas was not a picture but an event.
Harold Rosenberg
Imitation of the art of earlier centuries, as that done by Picasso and Modigliani , is carried on not to perpetuate ancient values but to demonstrate that new aesthetic orders now prevail.
Harold Rosenberg
Abstract art as it is conceived at present is a game bequeathed to painting and sculpture by art history. One who accepts its premises must consent to limit his imagination to a depressing casuistry regarding the formal requirements of modernism.
Harold Rosenberg
Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it. Advanced art today is no longer a cause -it contains no moral imperative. There is no virtue in clinging to principles and standards, no vice in selling or in selling out.
Harold Rosenberg
Art has arrived at the paradox that tradition itself requires the occurrence of radical attacks on tradition.
Harold Rosenberg
Loiter in the neighborhood of a problem. After a while a solution strolls by.
Harold Rosenberg
How much the work of an artist owes to an art movement to which he belongs can never be determined exactly, if only because the movement derives its character from the individual creations of its members.
Harold Rosenberg
Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it.
Harold Rosenberg
In the United States, revolts tends to be directed against specific situations, rarely against the social structure as a whole.
Harold Rosenberg
No dealer, curator, buyer or critic, or any existing combination of these, can be depended on to produce a reputation that is more than a momentary flurry.
Harold Rosenberg
A painter with prestige among painters is bound to be discovered sooner or later.
Harold Rosenberg
The big moment came when it was decided to paint...Just To Paint. The gesture on the canvas was a gesture of liberation, from Value- political, aesthetic, moral.
Harold Rosenberg
The artist does not exist except as a personification, a figure of speech that represents the sum total of art itself. It is painting that is the genius of the painter, poetry of the poet, and a person is a creative artist to the extent that he participates in that genius.
Harold Rosenberg
Co-operating critics comb the studios like big-league scouts, prepared to spot the art of the future and to take lead in establishing reputations. Art historians stand by ready with cameras and notebooks to make sure every novel detail is safe for the record. The tradition of the new has reduced all other traditions to triviality.
Harold Rosenberg
Not only were the minds of artists formed by the university in the same mold were formed those of the art historians, the critics, the curators, and the collectors by whom their work was evaluated. With the rise of Conceptual art, the classroom announced its final triumph over the studio.
Harold Rosenberg