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American time has stretched around the world. It has become the dominant tempo of modern history, especially of the history of Europe.

Harold Rosenberg

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Harold Rosenberg
Age: 72 †
Born: 1906
Born: February 2
Died: 1978
Died: July 11
Art Critic
Art Historian
Journalist
Philosopher
Teacher
Writer
New York City
New York
Become
Stretched
Time
Dominant
World
Europe
Especially
Modern
American
History
Tempo
Around
Modernism

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In the United States, revolts tends to be directed against specific situations, rarely against the social structure as a whole.
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Kitsch is the daily art of our time, as the vase or the hymn was for earlier generations. For the sensibility it has that arbitrariness and importance which works take on when they are no longer noticeable elements of the environment. In America kitsch is Nature. The Rocky Mountains have resembled fake art for a century.
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How much the work of an artist owes to an art movement to which he belongs can never be determined exactly, if only because the movement derives its character from the individual creations of its members.
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The artist does not exist except as a personification, a figure of speech that represents the sum total of art itself. It is painting that is the genius of the painter, poetry of the poet, and a person is a creative artist to the extent that he participates in that genius.
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An artist is a person who has invented an artist.
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Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.
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Imitation of the art of earlier centuries, as that done by Picasso and Modigliani , is carried on not to perpetuate ancient values but to demonstrate that new aesthetic orders now prevail.
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The struggle to make an absolute statement in an individually conceived vocabulary accounts for the profound tensions inherent in the best modern work.
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Art has arrived at the paradox that tradition itself requires the occurrence of radical attacks on tradition.
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Loiter in the neighborhood of a problem. After a while a solution strolls by.
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Whoever undertakes to create soon finds himself engaged in creating himself.
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In reality, however, an artist is a product of art
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Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it. Advanced art today is no longer a cause -it contains no moral imperative. There is no virtue in clinging to principles and standards, no vice in selling or in selling out.
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What better way to prove that you understand a subject than to make money out of it?
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Avant-gardism is an addiction that can be appeased only by a revolution in permanence.
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At a certain moment the canvas began to appear to one American painter after another as an arena in which to act-rather than as a space in which to reproduce, re-design, analyze or express an object, actual or imagined. What was to go on the canvas was not a picture but an event.
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The big moment came when it was decided to paint...Just To Paint. The gesture on the canvas was a gesture of liberation, from Value- political, aesthetic, moral.
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Both art and the artist lack identity and define themselves only through their encounter with each other.
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