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American time has stretched around the world. It has become the dominant tempo of modern history, especially of the history of Europe.

Harold Rosenberg

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Harold Rosenberg
Age: 72 †
Born: 1906
Born: February 2
Died: 1978
Died: July 11
Art Critic
Art Historian
Journalist
Philosopher
Teacher
Writer
New York City
New York
World
Europe
Especially
Modern
American
History
Tempo
Around
Modernism
Become
Stretched
Time
Dominant

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Avant-gardism is an addiction that can be appeased only by a revolution in permanence.
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Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.
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At a certain moment the canvas began to appear to one American painter after another as an arena in which to act-rather than as a space in which to reproduce, re-design, analyze or express an object, actual or imagined. What was to go on the canvas was not a picture but an event.
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An artist is a person who has invented an artist.
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The struggle to make an absolute statement in an individually conceived vocabulary accounts for the profound tensions inherent in the best modern work.
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Kitsch is the daily art of our time, as the vase or the hymn was for earlier generations. For the sensibility it has that arbitrariness and importance which works take on when they are no longer noticeable elements of the environment. In America kitsch is Nature. The Rocky Mountains have resembled fake art for a century.
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Not only were the minds of artists formed by the university in the same mold were formed those of the art historians, the critics, the curators, and the collectors by whom their work was evaluated. With the rise of Conceptual art, the classroom announced its final triumph over the studio.
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No dealer, curator, buyer or critic, or any existing combination of these, can be depended on to produce a reputation that is more than a momentary flurry.
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A painter with prestige among painters is bound to be discovered sooner or later.
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What better way to prove that you understand a subject than to make money out of it?
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The aim of every authentic artist is not to conform to the history of art, but to release himself from it in order to replace it with his own history.
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In the United States, revolts tends to be directed against specific situations, rarely against the social structure as a whole.
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How much the work of an artist owes to an art movement to which he belongs can never be determined exactly, if only because the movement derives its character from the individual creations of its members.
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Whoever undertakes to create soon finds himself engaged in creating himself.
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The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.
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Loiter in the neighborhood of a problem. After a while a solution strolls by.
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Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it.
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For the artist, fulfillment of self consists not in marching in the ranks of the liberators but in being entered in the roll of the Masters. The artist tends to find himself in the position of a deserter from his social group or, at best, one who collaborates, with secret reservations.
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In reality, however, an artist is a product of art
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The artist does not exist except as a personification, a figure of speech that represents the sum total of art itself. It is painting that is the genius of the painter, poetry of the poet, and a person is a creative artist to the extent that he participates in that genius.
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