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American time has stretched around the world. It has become the dominant tempo of modern history, especially of the history of Europe.

Harold Rosenberg

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Harold Rosenberg
Age: 72 †
Born: 1906
Born: February 2
Died: 1978
Died: July 11
Art Critic
Art Historian
Journalist
Philosopher
Teacher
Writer
New York City
New York
American
History
Tempo
Around
Modernism
Become
Stretched
Time
Dominant
World
Europe
Especially
Modern

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For the artist, fulfillment of self consists not in marching in the ranks of the liberators but in being entered in the roll of the Masters. The artist tends to find himself in the position of a deserter from his social group or, at best, one who collaborates, with secret reservations.
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An artist is a person who has invented an artist.
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Kitsch is art that follows established rules in a time when all rules in art are put into question by each artist.
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The aim of every authentic artist is not to conform to the history of art, but to release himself from it in order to replace it with his own history.
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In reality, however, an artist is a product of art
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Art has arrived at the paradox that tradition itself requires the occurrence of radical attacks on tradition.
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Abstract art as it is conceived at present is a game bequeathed to painting and sculpture by art history. One who accepts its premises must consent to limit his imagination to a depressing casuistry regarding the formal requirements of modernism.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.
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Loiter in the neighborhood of a problem. After a while a solution strolls by.
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Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.
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What better way to prove that you understand a subject than to make money out of it?
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Co-operating critics comb the studios like big-league scouts, prepared to spot the art of the future and to take lead in establishing reputations. Art historians stand by ready with cameras and notebooks to make sure every novel detail is safe for the record. The tradition of the new has reduced all other traditions to triviality.
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In the United States, revolts tends to be directed against specific situations, rarely against the social structure as a whole.
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Avant-gardism is an addiction that can be appeased only by a revolution in permanence.
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The big moment came when it was decided to paint...Just To Paint. The gesture on the canvas was a gesture of liberation, from Value- political, aesthetic, moral.
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Only conservatives believe that subversion is still being carried on in the arts and that society is being shaken by it. Advanced art today is no longer a cause -it contains no moral imperative. There is no virtue in clinging to principles and standards, no vice in selling or in selling out.
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Imitation of the art of earlier centuries, as that done by Picasso and Modigliani , is carried on not to perpetuate ancient values but to demonstrate that new aesthetic orders now prevail.
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No dealer, curator, buyer or critic, or any existing combination of these, can be depended on to produce a reputation that is more than a momentary flurry.
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