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I'm thinking of doing a marital comedy for one of the studios, but I want it to be so painful that it'll have a profound effect on married couples who see it together.

Harold Ramis

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Harold Ramis
Age: 69 †
Born: 1944
Born: November 21
Died: 2014
Died: February 24
Actor
Comedian
Director
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Writer
Chicago
Illinois
Harold Allen Ramis
Effects
Married
Couple
Marital
Comedy
Couples
Together
Studios
Thinking
Effect
Profound
Painful

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You can't not have feelings about country clubs, whichever side you're on.
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When I've written for Bill Murray - I've written six films for him - people would read it and say, Oh, that's so perfectly Bill. He'd read it and say, Are you kidding? I can't say these words. So it's all about perception.
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I can't imagine a successful comedy movie without a successful comedy performance at the heart of it.
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I'm sure that the liability for doing a tracheotomy would be tremendous. You make one mistake, and it's over. Most doctors won't even do it.
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Comedy is essentially made by young men, or older men with some form of arrested development, for young men or immature older men.
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Analyze This is a good movie because Robert De Niro and Billy Crystal are really good. But without the material to put on the play, of course, they couldn't be good. For me, it starts with the writing.
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My only conclusion about structure is that nothing works if you don't have interesting characters and a good story to tell.
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I never read Playboy before I started working there and stopped reading it the day I quit.
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I used to be married to a woman who pursued every spiritual trend with tremendous passion and dragged me along. I don't believe in anything. I'd seen mediums and readers.
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I'm not a believer in the pratfall. I don't think it's funny just to have someone fall down.
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I was the little guy who knew how to tie a necktie. It came from having absentee parents. They were tremendously loving and caring people who, by circumstance, had to go to work.
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I have tons of rescuing fantasies based on the movies I saw when I was growing up. I wanted to be Robin Hood and the Three Musketeers and the Scarlet Pimpernel.
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When a director writes, there's a compulsory arbitration. You have a right to challenge any of the arbitrators, but they pick three of four arbitrators who read all the drafts with no names attached and then allocate credit.
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I have no trouble selling out—I’m a benevolent hack, in a certain way—but I want to pander for something I believe in.
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I always think that the writer is doing the vast majority of the director's work, in a sense. If you're a writer who is also going to direct, you're doing all your preparation: You're already visualizing everything, you're imagining how the lines are going to be read, you see the blocking in your head, and you know the rhythm and the pacing.
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Just expressing contempt for your leaders doesn't really accomplish anything.
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Some people have a fear of rejecting all the security that comes with family, church and state. They become fundamentalists.
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Billy Crystal knows how to make people laugh. He's got 30 years on stage... there's no telling him what's funny.
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I'm a writer-director-actor, which I've always kind of enjoyed. I compared it to the Olympic biathlon. Not only can he cross-country ski, but he's a terrific marksman as well. I want people to say, You mean that writer performed a tracheotomy? That's right, I do everything.
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We tell our kids that policemen are good and God protects us and our country is noble, and at a certain point - and for some it comes quite early, five or six years old - we start to realize that it's all a facade.
Harold Ramis