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I'm thinking of doing a marital comedy for one of the studios, but I want it to be so painful that it'll have a profound effect on married couples who see it together.

Harold Ramis

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Harold Ramis
Age: 69 †
Born: 1944
Born: November 21
Died: 2014
Died: February 24
Actor
Comedian
Director
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Writer
Chicago
Illinois
Harold Allen Ramis
Comedy
Couples
Together
Studios
Thinking
Effect
Profound
Painful
Effects
Married
Couple
Marital

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You can't not have feelings about country clubs, whichever side you're on.
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At a certain point, you have to convince the actors that you've done the right thing. The way I work, if I can't convince them, I've got to move on. I can't coerce them or browbeat them.
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My characters aren't losers. They're rebels. They win by their refusal to play by everyone else's rules.
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I can't imagine a successful comedy movie without a successful comedy performance at the heart of it.
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Films are big hits when they touch a lot of people. Things are not funny in a vacuum, they're funny because we respond to some personal dislocation, some embarrassment, some humiliation, some pain we've suffered, or some desire we have.
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When I've written for Bill Murray - I've written six films for him - people would read it and say, Oh, that's so perfectly Bill. He'd read it and say, Are you kidding? I can't say these words. So it's all about perception.
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Find the most talented person in the room and if it's not you, go stand next to him. Hang out with him. try to be helpful.
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Never hit anyone in anger, unless you're absolutely sure you can get away with it.
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When you're a big enough part of the process that the Writers Guild gives you a lot of credit, that's a good thing. It tells me that I've had a significant impact on the film as a writer.
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I think satire is a luxury of literate middle-class people. People who are well fed and relatively secure in their beds can laugh at their troubles. They can enjoy sitcoms. For those who aren't quite so lucky, well, the irony might be lost on them.
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You can't love somebody into a state of mental health.
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Just expressing contempt for your leaders doesn't really accomplish anything.
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I did a comedy with Al Franken about his character Stuart Smalley, which was really about alcoholism and addiction and codependency. It had some painful stuff in it. When we showed it to focus groups, some of them actually said, If I want to see a dysfunctional family, I'll stay home.
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I've been directing for 25 years almost, and I've only directed nine films in that time because I like to be careful.
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I'd rather do comedies that strike at some bigger ideas.
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Billy Crystal knows how to make people laugh. He's got 30 years on stage... there's no telling him what's funny.
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I was the little guy who knew how to tie a necktie. It came from having absentee parents. They were tremendously loving and caring people who, by circumstance, had to go to work.
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You don't have to know much, just a little bit more than everybody else.
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I loved writing and performing, but the idea of doing it for a living seemed so remote. But I eventually let it devolve to the point where it was the only thing I could do.
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I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama.
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