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I'm thinking of doing a marital comedy for one of the studios, but I want it to be so painful that it'll have a profound effect on married couples who see it together.

Harold Ramis

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Harold Ramis
Age: 69 †
Born: 1944
Born: November 21
Died: 2014
Died: February 24
Actor
Comedian
Director
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Writer
Chicago
Illinois
Harold Allen Ramis
Couple
Marital
Comedy
Couples
Together
Studios
Thinking
Effect
Profound
Painful
Effects
Married

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I've always thought that comedy was just another dramatic expression.
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Comedy is essentially made by young men, or older men with some form of arrested development, for young men or immature older men.
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Most comedy is not very ambitious. You probably can't name more than a handful of comedies that would qualify for Best Picture.
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Life doesn't care about your vision. You just gotta roll with it.
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I did a comedy with Al Franken about his character Stuart Smalley, which was really about alcoholism and addiction and codependency. It had some painful stuff in it. When we showed it to focus groups, some of them actually said, If I want to see a dysfunctional family, I'll stay home.
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If Chevy Chase had not been an actor, he might have been a very popular guy in advertising or whatever field he would have gone into, because of his charisma.
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We tell our kids that policemen are good and God protects us and our country is noble, and at a certain point - and for some it comes quite early, five or six years old - we start to realize that it's all a facade.
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No one will laugh at how great things are for somebody.
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Nothing reinforces a professional relationship more than enjoying success with someone.
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Billy Crystal knows how to make people laugh. He's got 30 years on stage... there's no telling him what's funny.
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I used to be married to a woman who pursued every spiritual trend with tremendous passion and dragged me along. I don't believe in anything. I'd seen mediums and readers.
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I realized that my righteous indignation was a form of entertainment for me. I loved getting pissed off at injustice. I didn't do anything about it, I just liked the feeling of being pissed off.
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I have tons of rescuing fantasies based on the movies I saw when I was growing up. I wanted to be Robin Hood and the Three Musketeers and the Scarlet Pimpernel.
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I'm sure that the liability for doing a tracheotomy would be tremendous. You make one mistake, and it's over. Most doctors won't even do it.
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I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama.
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The trick with sequels is, you have to give people what they liked before, yet be innovative enough so they don't feel like they're seeing the same movie.
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The cutting room is where you discover the optimal length of the movie.
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I've never taken a script to the stage or to principal photography and said, This is perfect. This is as good as it can possibly be. It's not Shakespeare, you know you know it can probably be better.
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You can't love somebody into a state of mental health.
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Find the most talented person in the room and if it's not you, go stand next to him. Hang out with him. try to be helpful.
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