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I'm thinking of doing a marital comedy for one of the studios, but I want it to be so painful that it'll have a profound effect on married couples who see it together.

Harold Ramis

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Harold Ramis
Age: 69 †
Born: 1944
Born: November 21
Died: 2014
Died: February 24
Actor
Comedian
Director
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Writer
Chicago
Illinois
Harold Allen Ramis
Married
Couple
Marital
Couples
Comedy
Studios
Together
Effect
Thinking
Profound
Painful
Effects

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You can't not have feelings about country clubs, whichever side you're on.
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I think satire is a luxury of literate middle-class people. People who are well fed and relatively secure in their beds can laugh at their troubles. They can enjoy sitcoms. For those who aren't quite so lucky, well, the irony might be lost on them.
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Films are big hits when they touch a lot of people. Things are not funny in a vacuum, they're funny because we respond to some personal dislocation, some embarrassment, some humiliation, some pain we've suffered, or some desire we have.
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I've always thought that comedy was just another dramatic expression.
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I did a comedy with Al Franken about his character Stuart Smalley, which was really about alcoholism and addiction and codependency. It had some painful stuff in it. When we showed it to focus groups, some of them actually said, If I want to see a dysfunctional family, I'll stay home.
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When I've written for Bill Murray - I've written six films for him - people would read it and say, Oh, that's so perfectly Bill. He'd read it and say, Are you kidding? I can't say these words. So it's all about perception.
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At a certain point, you have to convince the actors that you've done the right thing. The way I work, if I can't convince them, I've got to move on. I can't coerce them or browbeat them.
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You don't have to know much, just a little bit more than everybody else.
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Nothing reinforces a professional relationship more than enjoying success with someone.
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I collect spores, molds, and fungus.
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When you're young and you first see the extent and depth of the world's hypocrisy, it's fun to go after it. But by the time you're sixty, it's so commonplace. What's the point in ridiculing people anymore? Their existence itself is a sort of sick joke.
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Comedy is essentially made by young men, or older men with some form of arrested development, for young men or immature older men.
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Whenever a critic mentions the salary of an actor, I'm thinking, He's not talking about the movie.
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If Chevy Chase had not been an actor, he might have been a very popular guy in advertising or whatever field he would have gone into, because of his charisma.
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You can perceive life as tragic, or you can laugh at the tragedy of it and that turns it into comedy. It doesn't change the circumstances.
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No matter what I have to say, I'm still trying to say it in comedic form.
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I'm sure that the liability for doing a tracheotomy would be tremendous. You make one mistake, and it's over. Most doctors won't even do it.
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If you're doing six takes, instead of doing six variations on the same words, why not just throw out the words and make them up as you go along, if you're comfortable with it? It gives the movies a slightly rangier feeling, and more of an accidental feel, but it also makes them edgier.
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I always think that the writer is doing the vast majority of the director's work, in a sense. If you're a writer who is also going to direct, you're doing all your preparation: You're already visualizing everything, you're imagining how the lines are going to be read, you see the blocking in your head, and you know the rhythm and the pacing.
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I have no trouble selling out—I’m a benevolent hack, in a certain way—but I want to pander for something I believe in.
Harold Ramis