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Some people have a fear of rejecting all the security that comes with family, church and state. They become fundamentalists.

Harold Ramis

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Harold Ramis
Age: 69 †
Born: 1944
Born: November 21
Died: 2014
Died: February 24
Actor
Comedian
Director
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Writer
Chicago
Illinois
Harold Allen Ramis
Fear
Comes
Become
Fundamentalists
States
Rejecting
People
Security
State
Church
Family

More quotes by Harold Ramis

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As much as I liked acting for its playfulness and the reward of hearing big laughs wash over you on a stage, I always felt I should do something that I could control.
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Life has all of these contradictory feelings and contradictory results. People spend their whole lives struggling to get what they think they want, and even if they get it, they find that it's either not what they wanted, or it comes with so many unwanted consequences. We're always shut off from pure joy.
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I loved writing and performing, but the idea of doing it for a living seemed so remote. But I eventually let it devolve to the point where it was the only thing I could do.
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There's a personal story of my own that I will write at some point, and it's a film that I will happily make. It could very well be the next thing I do, unless someone shows me something great.
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For me, most comedy scripts fail in the mechanical playing-out of the setup. They'll pay lip service to a moral lesson or a psychological progression.
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We all wish we could be in more than one place at the same time. People with families feel guilty all the time-if we spend too much time with our family, we feel we're not working hard enough.
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Where's the great pay? Where's the travel? Where's the Winnebago, Goddamnit!
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I'm not a believer in the pratfall. I don't think it's funny just to have someone fall down.
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Nothing reinforces a professional relationship more than enjoying success with someone.
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When I've written for Bill Murray - I've written six films for him - people would read it and say, Oh, that's so perfectly Bill. He'd read it and say, Are you kidding? I can't say these words. So it's all about perception.
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You don't have to know much, just a little bit more than everybody else.
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I have tons of rescuing fantasies based on the movies I saw when I was growing up. I wanted to be Robin Hood and the Three Musketeers and the Scarlet Pimpernel.
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I've always thought that comedy was just another dramatic expression.
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I'd rather do comedies that strike at some bigger ideas.
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First and foremost, you have to make the movie for yourself. And that's not to say, to hell with everyone else, but what else have you got to go on but your own taste and judgment?
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Find the most talented person in the room and if it's not you, go stand next to him. Hang out with him. try to be helpful.
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When a director writes, there's a compulsory arbitration. You have a right to challenge any of the arbitrators, but they pick three of four arbitrators who read all the drafts with no names attached and then allocate credit.
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I've never taken a script to the stage or to principal photography and said, This is perfect. This is as good as it can possibly be. It's not Shakespeare, you know you know it can probably be better.
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We tell our kids that policemen are good and God protects us and our country is noble, and at a certain point - and for some it comes quite early, five or six years old - we start to realize that it's all a facade.
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My job is to come up with something that you like and you agree with that you would play wholeheartedly. If we disagree, I may not be doing my job correctly.
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