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My job is to come up with something that you like and you agree with that you would play wholeheartedly. If we disagree, I may not be doing my job correctly.

Harold Ramis

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Harold Ramis
Age: 69 †
Born: 1944
Born: November 21
Died: 2014
Died: February 24
Actor
Comedian
Director
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Writer
Chicago
Illinois
Harold Allen Ramis
Play
Wholeheartedly
Something
Correctly
Would
Disagree
Like
Agreement
Agree
Jobs
May
Come

More quotes by Harold Ramis

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Life doesn't care about your vision. You just gotta roll with it.
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You can't love somebody into a state of mental health.
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I've always thought that comedy was just another dramatic expression.
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I did a comedy with Al Franken about his character Stuart Smalley, which was really about alcoholism and addiction and codependency. It had some painful stuff in it. When we showed it to focus groups, some of them actually said, If I want to see a dysfunctional family, I'll stay home.
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Comedy is essentially made by young men, or older men with some form of arrested development, for young men or immature older men.
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I can't imagine a successful comedy movie without a successful comedy performance at the heart of it.
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Billy Crystal knows how to make people laugh. He's got 30 years on stage... there's no telling him what's funny.
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Some people have a fear of rejecting all the security that comes with family, church and state. They become fundamentalists.
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I'm sure that the liability for doing a tracheotomy would be tremendous. You make one mistake, and it's over. Most doctors won't even do it.
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I have no trouble selling out—I’m a benevolent hack, in a certain way—but I want to pander for something I believe in.
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I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama.
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When you're young and you first see the extent and depth of the world's hypocrisy, it's fun to go after it. But by the time you're sixty, it's so commonplace. What's the point in ridiculing people anymore? Their existence itself is a sort of sick joke.
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At a certain point, you have to convince the actors that you've done the right thing. The way I work, if I can't convince them, I've got to move on. I can't coerce them or browbeat them.
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I've been directing for 25 years almost, and I've only directed nine films in that time because I like to be careful.
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My characters aren't losers. They're rebels. They win by their refusal to play by everyone else's rules.
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When you're a big enough part of the process that the Writers Guild gives you a lot of credit, that's a good thing. It tells me that I've had a significant impact on the film as a writer.
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Most comedy is not very ambitious. You probably can't name more than a handful of comedies that would qualify for Best Picture.
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We tell our kids that policemen are good and God protects us and our country is noble, and at a certain point - and for some it comes quite early, five or six years old - we start to realize that it's all a facade.
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If you're doing six takes, instead of doing six variations on the same words, why not just throw out the words and make them up as you go along, if you're comfortable with it? It gives the movies a slightly rangier feeling, and more of an accidental feel, but it also makes them edgier.
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Where's the great pay? Where's the travel? Where's the Winnebago, Goddamnit!
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