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Whenever a critic mentions the salary of an actor, I'm thinking, He's not talking about the movie.

Harold Ramis

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Harold Ramis
Age: 69 †
Born: 1944
Born: November 21
Died: 2014
Died: February 24
Actor
Comedian
Director
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Writer
Chicago
Illinois
Harold Allen Ramis
Talking
Actors
Mentions
Thinking
Salary
Critic
Critics
Whenever
Actor
Movie

More quotes by Harold Ramis

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If Chevy Chase had not been an actor, he might have been a very popular guy in advertising or whatever field he would have gone into, because of his charisma.
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Groundhog Day was pretty clean. It may have to do with some puritanical feeling that comedy is a forbidden pleasure in a certain way. They make you laugh, and laughter is somehow an inferior emotion to tragedy.
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First and foremost, you have to make the movie for yourself. And that's not to say, to hell with everyone else, but what else have you got to go on but your own taste and judgment?
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You can't not have feelings about country clubs, whichever side you're on.
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Comedy is essentially made by young men, or older men with some form of arrested development, for young men or immature older men.
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As much as I liked acting for its playfulness and the reward of hearing big laughs wash over you on a stage, I always felt I should do something that I could control.
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I've never taken a script to the stage or to principal photography and said, This is perfect. This is as good as it can possibly be. It's not Shakespeare, you know you know it can probably be better.
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Most people live somewhere on the spectrum of anxiety and depression.
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I used to be married to a woman who pursued every spiritual trend with tremendous passion and dragged me along. I don't believe in anything. I'd seen mediums and readers.
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I never read Playboy before I started working there and stopped reading it the day I quit.
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I loved writing and performing, but the idea of doing it for a living seemed so remote. But I eventually let it devolve to the point where it was the only thing I could do.
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When a director writes, there's a compulsory arbitration. You have a right to challenge any of the arbitrators, but they pick three of four arbitrators who read all the drafts with no names attached and then allocate credit.
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At a certain point, you have to convince the actors that you've done the right thing. The way I work, if I can't convince them, I've got to move on. I can't coerce them or browbeat them.
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When I've written for Bill Murray - I've written six films for him - people would read it and say, Oh, that's so perfectly Bill. He'd read it and say, Are you kidding? I can't say these words. So it's all about perception.
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Never hit anyone in anger, unless you're absolutely sure you can get away with it.
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Life doesn't care about your vision. You just gotta roll with it.
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When you're a big enough part of the process that the Writers Guild gives you a lot of credit, that's a good thing. It tells me that I've had a significant impact on the film as a writer.
Harold Ramis
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I'm sure that the liability for doing a tracheotomy would be tremendous. You make one mistake, and it's over. Most doctors won't even do it.
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Films are big hits when they touch a lot of people. Things are not funny in a vacuum, they're funny because we respond to some personal dislocation, some embarrassment, some humiliation, some pain we've suffered, or some desire we have.
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I realized that my righteous indignation was a form of entertainment for me. I loved getting pissed off at injustice. I didn't do anything about it, I just liked the feeling of being pissed off.
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