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Billy Crystal knows how to make people laugh. He's got 30 years on stage... there's no telling him what's funny.

Harold Ramis

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Harold Ramis
Age: 69 †
Born: 1944
Born: November 21
Died: 2014
Died: February 24
Actor
Comedian
Director
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Writer
Chicago
Illinois
Harold Allen Ramis
Telling
Laugh
Laughing
Stage
Funny
Years
Billy
Make
Crystal
People
Crystals

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Just expressing contempt for your leaders doesn't really accomplish anything.
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When a director writes, there's a compulsory arbitration. You have a right to challenge any of the arbitrators, but they pick three of four arbitrators who read all the drafts with no names attached and then allocate credit.
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Analyze This is a good movie because Robert De Niro and Billy Crystal are really good. But without the material to put on the play, of course, they couldn't be good. For me, it starts with the writing.
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Films are big hits when they touch a lot of people. Things are not funny in a vacuum, they're funny because we respond to some personal dislocation, some embarrassment, some humiliation, some pain we've suffered, or some desire we have.
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You can't love somebody into a state of mental health.
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Somebody once told me that if you laugh at a George Bush joke, or you send an email cartoon to your friends that makes Bush look like a fool, you feel like you've done something significant. But really, what have you actually done? Just expressing contempt for your leaders doesn't really accomplish anything.
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I've been directing for 25 years almost, and I've only directed nine films in that time because I like to be careful.
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We all wish we could be in more than one place at the same time. People with families feel guilty all the time-if we spend too much time with our family, we feel we're not working hard enough.
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It doesn't take any longer to improvise 10 takes than it takes to shoot 10 takes of the same thing. It turns out to be just as responsible from a business point of view as anything else.
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My job is to come up with something that you like and you agree with that you would play wholeheartedly. If we disagree, I may not be doing my job correctly.
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As much as I liked acting for its playfulness and the reward of hearing big laughs wash over you on a stage, I always felt I should do something that I could control.
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First and foremost, you have to make the movie for yourself. And that's not to say, to hell with everyone else, but what else have you got to go on but your own taste and judgment?
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Most people live somewhere on the spectrum of anxiety and depression.
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I can't imagine a successful comedy movie without a successful comedy performance at the heart of it.
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You can perceive life as tragic, or you can laugh at the tragedy of it and that turns it into comedy. It doesn't change the circumstances.
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I collect spores, molds, and fungus.
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The trick with sequels is, you have to give people what they liked before, yet be innovative enough so they don't feel like they're seeing the same movie.
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I loved writing and performing, but the idea of doing it for a living seemed so remote. But I eventually let it devolve to the point where it was the only thing I could do.
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I have tons of rescuing fantasies based on the movies I saw when I was growing up. I wanted to be Robin Hood and the Three Musketeers and the Scarlet Pimpernel.
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I try to measure the amount of truth in a work rather than just looking at the generic distinction between comedy and drama.
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