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Nothing is staged exactly as it was, because I can't remember - and I consider that an advantage.

Harold Prince

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Harold Prince
Age: 91 †
Born: 1928
Born: January 30
Died: 2019
Died: July 31
Entrepreneur
Film Director
Film Producer
Music Director
Theatrical Director
Theatrical Producer
New York City
New York
Harold Smith Prince
Hal Prince
Harold S. Prince
Staged
Consider
Exactly
Advantage
Remember
Nothing

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I really wish people - maybe it's naive - wish people had priorities and were willing to be artistic patrons.
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The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values.
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I wouldn't want to be just pigeonholed as an extravagant director.
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A star may guarantee business, but the tradeoff is a very short run.
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We've got to find a way to protect the process of making musical theater.
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I love big, bold, truthful theater - the tradition of Victorian theater.
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Criticism is valuable... and self-congratulatory experiences are not.
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Artistic self-indulgence is the mark of an amateur. The temptation to make scenes, to appear late, to call in sick, not to meet deadlines, not to be organized, is at heart a sign of your own insecurity and at worst the sign of an amateur.
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I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.
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I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn’t anticipate. It’s really good to think we got it all nailed - of course you’ve never got it all nailed.
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I don't think there's a defined contemporary American musical, do you?
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I'm always glad to see somebody rethink something rather than reproduce something I did.
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Most of the big money people don't know what would interest an audience if you did it. They only know what interested the audience last time.
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I've seen a lot of 'Show Boats,' but I've never seen the one that thoroughly satisfies me.
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Despite the successes, you remember the failures - rather lovingly.
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The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.
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I don't like abrasion while I'm working. I don't thrive on chaos. I enjoy what I'm doing, and it seems to work better when I am enjoying it.
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You think, 'Musicals, they must always be romantic' - You'd be surprised how few of them historically have ever been romantic.
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I really don't spend time thinking about the past. I think about the future. I'm not stopping.
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There are wonderful composers and librettists out there. It's the lack of creative producers that is troubling.
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