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Nothing is staged exactly as it was, because I can't remember - and I consider that an advantage.

Harold Prince

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Harold Prince
Age: 91 †
Born: 1928
Born: January 30
Died: 2019
Died: July 31
Entrepreneur
Film Director
Film Producer
Music Director
Theatrical Director
Theatrical Producer
New York City
New York
Harold Smith Prince
Hal Prince
Harold S. Prince
Exactly
Advantage
Remember
Nothing
Staged
Consider

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I don't like abrasion while I'm working. I don't thrive on chaos. I enjoy what I'm doing, and it seems to work better when I am enjoying it.
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It's a terrible shame if you're born the brightest guy in your class. If you're not, then you have to hustle-and that's good.
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I don't think there's a defined contemporary American musical, do you?
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We've got to find a way to protect the process of making musical theater.
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The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.
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I've seen a lot of 'Show Boats,' but I've never seen the one that thoroughly satisfies me.
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I saw 'On The Town' about nine times. I discovered it. I loved it. I was in college.
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It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.
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I'm always glad to see somebody rethink something rather than reproduce something I did.
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Artistic self-indulgence is the mark of an amateur. The temptation to make scenes, to appear late, to call in sick, not to meet deadlines, not to be organized, is at heart a sign of your own insecurity and at worst the sign of an amateur.
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Despite the successes, you remember the failures - rather lovingly.
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You think, 'Musicals, they must always be romantic' - You'd be surprised how few of them historically have ever been romantic.
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The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values.
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I really don't spend time thinking about the past. I think about the future. I'm not stopping.
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There are wonderful composers and librettists out there. It's the lack of creative producers that is troubling.
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A star may guarantee business, but the tradeoff is a very short run.
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I love big, bold, truthful theater - the tradition of Victorian theater.
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Criticism is valuable... and self-congratulatory experiences are not.
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I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn’t anticipate. It’s really good to think we got it all nailed - of course you’ve never got it all nailed.
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I really wish people - maybe it's naive - wish people had priorities and were willing to be artistic patrons.
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