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It's a terrible shame if you're born the brightest guy in your class. If you're not, then you have to hustle-and that's good.

Harold Prince

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Harold Prince
Age: 91 †
Born: 1928
Born: January 30
Died: 2019
Died: July 31
Entrepreneur
Film Director
Film Producer
Music Director
Theatrical Director
Theatrical Producer
New York City
New York
Harold Smith Prince
Hal Prince
Harold S. Prince
Shame
Intelligence
Terrible
Class
Guy
Born
Good
Brightest
Hustle

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A star may guarantee business, but the tradeoff is a very short run.
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Despite the successes, you remember the failures - rather lovingly.
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I wouldn't want to be just pigeonholed as an extravagant director.
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Artistic self-indulgence is the mark of an amateur. The temptation to make scenes, to appear late, to call in sick, not to meet deadlines, not to be organized, is at heart a sign of your own insecurity and at worst the sign of an amateur.
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I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.
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The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.
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The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values.
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I've seen a lot of 'Show Boats,' but I've never seen the one that thoroughly satisfies me.
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Nothing is staged exactly as it was, because I can't remember - and I consider that an advantage.
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It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.
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I don't think there's a defined contemporary American musical, do you?
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The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.
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There are wonderful composers and librettists out there. It's the lack of creative producers that is troubling.
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Criticism is valuable... and self-congratulatory experiences are not.
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I really don't spend time thinking about the past. I think about the future. I'm not stopping.
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I really wish people - maybe it's naive - wish people had priorities and were willing to be artistic patrons.
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I saw 'On The Town' about nine times. I discovered it. I loved it. I was in college.
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I have a terrible memory because I'm not interested in the past. It's done, it's done.
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Most of the big money people don't know what would interest an audience if you did it. They only know what interested the audience last time.
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I'm always glad to see somebody rethink something rather than reproduce something I did.
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