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The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.

Harold Prince

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Harold Prince
Age: 91 †
Born: 1928
Born: January 30
Died: 2019
Died: July 31
Entrepreneur
Film Director
Film Producer
Music Director
Theatrical Director
Theatrical Producer
New York City
New York
Harold Smith Prince
Hal Prince
Harold S. Prince
Willing
Interest
Truth
Owners
Reason
Admit
Producers
Absurd
Interests
Theater

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I saw 'On The Town' about nine times. I discovered it. I loved it. I was in college.
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Nothing is staged exactly as it was, because I can't remember - and I consider that an advantage.
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I wouldn't want to be just pigeonholed as an extravagant director.
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I've seen a lot of 'Show Boats,' but I've never seen the one that thoroughly satisfies me.
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The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values.
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It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.
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There are wonderful composers and librettists out there. It's the lack of creative producers that is troubling.
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I have a terrible memory because I'm not interested in the past. It's done, it's done.
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I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.
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Criticism is valuable... and self-congratulatory experiences are not.
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I'm always glad to see somebody rethink something rather than reproduce something I did.
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I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn’t anticipate. It’s really good to think we got it all nailed - of course you’ve never got it all nailed.
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You think, 'Musicals, they must always be romantic' - You'd be surprised how few of them historically have ever been romantic.
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The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.
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Artistic self-indulgence is the mark of an amateur. The temptation to make scenes, to appear late, to call in sick, not to meet deadlines, not to be organized, is at heart a sign of your own insecurity and at worst the sign of an amateur.
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Despite the successes, you remember the failures - rather lovingly.
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I really don't spend time thinking about the past. I think about the future. I'm not stopping.
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We've got to find a way to protect the process of making musical theater.
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It's a terrible shame if you're born the brightest guy in your class. If you're not, then you have to hustle-and that's good.
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I don't like abrasion while I'm working. I don't thrive on chaos. I enjoy what I'm doing, and it seems to work better when I am enjoying it.
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