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The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values.

Harold Prince

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Harold Prince
Age: 91 †
Born: 1928
Born: January 30
Died: 2019
Died: July 31
Entrepreneur
Film Director
Film Producer
Music Director
Theatrical Director
Theatrical Producer
New York City
New York
Harold Smith Prince
Hal Prince
Harold S. Prince
Side
Sides
Values
Family
Idea
Quayle
Truth
Cruelly
Ideas
Fence
Believe
Depressing

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A star may guarantee business, but the tradeoff is a very short run.
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It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.
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I've seen a lot of 'Show Boats,' but I've never seen the one that thoroughly satisfies me.
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Despite the successes, you remember the failures - rather lovingly.
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I saw 'On The Town' about nine times. I discovered it. I loved it. I was in college.
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There are wonderful composers and librettists out there. It's the lack of creative producers that is troubling.
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I'm always glad to see somebody rethink something rather than reproduce something I did.
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I really wish people - maybe it's naive - wish people had priorities and were willing to be artistic patrons.
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Criticism is valuable... and self-congratulatory experiences are not.
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Artistic self-indulgence is the mark of an amateur. The temptation to make scenes, to appear late, to call in sick, not to meet deadlines, not to be organized, is at heart a sign of your own insecurity and at worst the sign of an amateur.
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The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.
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I really don't spend time thinking about the past. I think about the future. I'm not stopping.
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Nothing is staged exactly as it was, because I can't remember - and I consider that an advantage.
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I don't like abrasion while I'm working. I don't thrive on chaos. I enjoy what I'm doing, and it seems to work better when I am enjoying it.
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We've got to find a way to protect the process of making musical theater.
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I don't think there's a defined contemporary American musical, do you?
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I wouldn't want to be just pigeonholed as an extravagant director.
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