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It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.
Harold Prince
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Harold Prince
Age: 91 †
Born: 1928
Born: January 30
Died: 2019
Died: July 31
Entrepreneur
Film Director
Film Producer
Music Director
Theatrical Director
Theatrical Producer
New York City
New York
Harold Smith Prince
Hal Prince
Harold S. Prince
Night
Musical
Million
Materials
Gave
Stay
Worrying
Millions
Nights
Worry
Investors
Nice
Material
More quotes by Harold Prince
Artistic self-indulgence is the mark of an amateur. The temptation to make scenes, to appear late, to call in sick, not to meet deadlines, not to be organized, is at heart a sign of your own insecurity and at worst the sign of an amateur.
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We've got to find a way to protect the process of making musical theater.
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Criticism is valuable... and self-congratulatory experiences are not.
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Despite the successes, you remember the failures - rather lovingly.
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A star may guarantee business, but the tradeoff is a very short run.
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I don't think there's a defined contemporary American musical, do you?
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I have a terrible memory because I'm not interested in the past. It's done, it's done.
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It's a terrible shame if you're born the brightest guy in your class. If you're not, then you have to hustle-and that's good.
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I saw 'On The Town' about nine times. I discovered it. I loved it. I was in college.
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I really wish people - maybe it's naive - wish people had priorities and were willing to be artistic patrons.
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There are wonderful composers and librettists out there. It's the lack of creative producers that is troubling.
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I love big, bold, truthful theater - the tradition of Victorian theater.
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You think, 'Musicals, they must always be romantic' - You'd be surprised how few of them historically have ever been romantic.
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I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.
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I really don't spend time thinking about the past. I think about the future. I'm not stopping.
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I don't like abrasion while I'm working. I don't thrive on chaos. I enjoy what I'm doing, and it seems to work better when I am enjoying it.
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Most of the big money people don't know what would interest an audience if you did it. They only know what interested the audience last time.
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Nothing is staged exactly as it was, because I can't remember - and I consider that an advantage.
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The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.
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I'm always glad to see somebody rethink something rather than reproduce something I did.
Harold Prince
