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I wouldn't want to be just pigeonholed as an extravagant director.

Harold Prince

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Harold Prince
Age: 91 †
Born: 1928
Born: January 30
Died: 2019
Died: July 31
Entrepreneur
Film Director
Film Producer
Music Director
Theatrical Director
Theatrical Producer
New York City
New York
Harold Smith Prince
Hal Prince
Harold S. Prince
Wouldn
Pigeonholed
Extravagant
Director
Directors

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The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values.
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Criticism is valuable... and self-congratulatory experiences are not.
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There are wonderful composers and librettists out there. It's the lack of creative producers that is troubling.
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I really wish people - maybe it's naive - wish people had priorities and were willing to be artistic patrons.
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Most of the big money people don't know what would interest an audience if you did it. They only know what interested the audience last time.
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I love big, bold, truthful theater - the tradition of Victorian theater.
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I have a terrible memory because I'm not interested in the past. It's done, it's done.
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The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.
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I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn’t anticipate. It’s really good to think we got it all nailed - of course you’ve never got it all nailed.
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Despite the successes, you remember the failures - rather lovingly.
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It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.
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Nothing is staged exactly as it was, because I can't remember - and I consider that an advantage.
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You think, 'Musicals, they must always be romantic' - You'd be surprised how few of them historically have ever been romantic.
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We've got to find a way to protect the process of making musical theater.
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I've seen a lot of 'Show Boats,' but I've never seen the one that thoroughly satisfies me.
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I really don't spend time thinking about the past. I think about the future. I'm not stopping.
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The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.
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I don't like abrasion while I'm working. I don't thrive on chaos. I enjoy what I'm doing, and it seems to work better when I am enjoying it.
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I'm always glad to see somebody rethink something rather than reproduce something I did.
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I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.
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