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I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.

Harold Prince

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Harold Prince
Age: 91 †
Born: 1928
Born: January 30
Died: 2019
Died: July 31
Entrepreneur
Film Director
Film Producer
Music Director
Theatrical Director
Theatrical Producer
New York City
New York
Harold Smith Prince
Hal Prince
Harold S. Prince
Theatre
Anymore
Actually
Night
Remember
Different
Wore
Every
Coats
People
Ties

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Most of the big money people don't know what would interest an audience if you did it. They only know what interested the audience last time.
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Artistic self-indulgence is the mark of an amateur. The temptation to make scenes, to appear late, to call in sick, not to meet deadlines, not to be organized, is at heart a sign of your own insecurity and at worst the sign of an amateur.
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The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values.
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I saw 'On The Town' about nine times. I discovered it. I loved it. I was in college.
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I wouldn't want to be just pigeonholed as an extravagant director.
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The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.
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I really don't spend time thinking about the past. I think about the future. I'm not stopping.
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I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn’t anticipate. It’s really good to think we got it all nailed - of course you’ve never got it all nailed.
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I really wish people - maybe it's naive - wish people had priorities and were willing to be artistic patrons.
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I've seen a lot of 'Show Boats,' but I've never seen the one that thoroughly satisfies me.
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I don't think there's a defined contemporary American musical, do you?
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I have a terrible memory because I'm not interested in the past. It's done, it's done.
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We've got to find a way to protect the process of making musical theater.
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I'm always glad to see somebody rethink something rather than reproduce something I did.
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There are wonderful composers and librettists out there. It's the lack of creative producers that is troubling.
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Despite the successes, you remember the failures - rather lovingly.
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It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.
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I love big, bold, truthful theater - the tradition of Victorian theater.
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Nothing is staged exactly as it was, because I can't remember - and I consider that an advantage.
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It's a terrible shame if you're born the brightest guy in your class. If you're not, then you have to hustle-and that's good.
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