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I really don't spend time thinking about the past. I think about the future. I'm not stopping.
Harold Prince
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Harold Prince
Age: 91 †
Born: 1928
Born: January 30
Died: 2019
Died: July 31
Entrepreneur
Film Director
Film Producer
Music Director
Theatrical Director
Theatrical Producer
New York City
New York
Harold Smith Prince
Hal Prince
Harold S. Prince
Stopping
Spend
Future
Past
Really
Time
Think
Thinking
More quotes by Harold Prince
Despite the successes, you remember the failures - rather lovingly.
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The idea that I have to be on the same side of the fence as Dan Quayle is cruelly depressing to me, but the truth is, I believe in family values.
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Criticism is valuable... and self-congratulatory experiences are not.
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I have a terrible memory because I'm not interested in the past. It's done, it's done.
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I'm always glad to see somebody rethink something rather than reproduce something I did.
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I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.
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Nothing is staged exactly as it was, because I can't remember - and I consider that an advantage.
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I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn’t anticipate. It’s really good to think we got it all nailed - of course you’ve never got it all nailed.
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I saw 'On The Town' about nine times. I discovered it. I loved it. I was in college.
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The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.
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Most of the big money people don't know what would interest an audience if you did it. They only know what interested the audience last time.
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You think, 'Musicals, they must always be romantic' - You'd be surprised how few of them historically have ever been romantic.
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I don't think there's a defined contemporary American musical, do you?
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The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.
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It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.
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I really wish people - maybe it's naive - wish people had priorities and were willing to be artistic patrons.
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A star may guarantee business, but the tradeoff is a very short run.
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We've got to find a way to protect the process of making musical theater.
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I love big, bold, truthful theater - the tradition of Victorian theater.
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It's a terrible shame if you're born the brightest guy in your class. If you're not, then you have to hustle-and that's good.
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