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Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.

Harold Pinter

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Harold Pinter
Age: 78 †
Born: 1930
Born: October 10
Died: 2008
Died: December 24
Actor
Author
Director
Film Director
Novelist
Playwright
Poet
Screenwriter
Theatrical Director
Writer
London
England
Truth
Feel
Slips
Sometimes
Fingers
Feels
Hand
Moment
Lost
Moments
Hands

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I don't write with any audience in mind. I just write. I take a chance on the audience. That's what I did originally, and I think it's worked--in the sense that I find there is an audience.
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The crimes of the U.S. throughout the world have been systematic, constant, clinical, remorseless, and fully documented but nobody talks about them.
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Most of the press is in league with government, or with the status quo.
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How can the unknown merit reverence?
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Language in art remains a highly ambiguous transaction, a quicksand, a trampoline, a frozen pool which might give way under you ... at any time.
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I no longer feel banished from myself.
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One way of looking at speech is to say it is a constant stratagem to cover nakedness.
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No matter how you look at it, all the emotions connected with love are not really immortal like all other passions in life, they are bound to fade at some point. The trick is to convert love into some lasting friendship that overcomes the fading passion.
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This particular nurse said, Cancer cells are those which have forgotten how to die. I was so struck by this statement.
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Isn't it true that every aristocrat wants to die?
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Be careful how you talk about God. He's the only God we have. If you let him go he won't come back. He won't even look back over his shoulder. And then what will you do?
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My second play, The Birthday Party, I wrote in 1958 - or 1957. It was totally destroyed by the critics of the day, who called it an absolute load of rubbish.
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I found the offer of a knighthood something that I couldn't possibly accept. I found it to be somehow squalid, a knighthood. There's a relationship to government about knights.
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The weasel under the cocktail cabinet.
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All that happens is that the destruction of human beings - unless they're Americans - is called collateral damage.
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Beckett had an unerring light on things, which I much appreciated.
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There never is any such thing as one truth to be found in dramatic art. There are many. These truths challenge each other, recoil from each other, reflect each other, ignore each other, tease each other, are blind to each other. Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.
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I mean, if a thing works, if a thing is right, respect that, acknowledge it, respect it and hold to it.
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I don't intend to simply go away and write my plays and be a good boy. I intend to remain an independent and political intelligence in my own right.
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