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My second play, The Birthday Party, I wrote in 1958 - or 1957. It was totally destroyed by the critics of the day, who called it an absolute load of rubbish.
Harold Pinter
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Harold Pinter
Age: 78 †
Born: 1930
Born: October 10
Died: 2008
Died: December 24
Actor
Author
Director
Film Director
Novelist
Playwright
Poet
Screenwriter
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Writer
London
England
Play
Absolute
Destroyed
Critics
Wrote
Totally
Rubbish
Second
Load
Called
Birthday
Party
Absolutes
More quotes by Harold Pinter
Beckett had an unerring light on things, which I much appreciated.
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I also found being called Sir rather silly.
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No matter how you look at it, all the emotions connected with love are not really immortal like all other passions in life, they are bound to fade at some point. The trick is to convert love into some lasting friendship that overcomes the fading passion.
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I don't intend to simply go away and write my plays and be a good boy. I intend to remain an independent and political intelligence in my own right.
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I mean, if a thing works, if a thing is right, respect that, acknowledge it, respect it and hold to it.
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Language in art remains a highly ambiguous transaction, a quicksand, a trampoline, a frozen pool which might give way under you ... at any time.
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I no longer feel banished from myself.
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Clinton's hands remain incredibly clean, don't they, and Tony Blair's smile remains as wide as ever. I view these guises with profound contempt.
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All that happens is that the destruction of human beings - unless they're Americans - is called collateral damage.
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The weasel under the cocktail cabinet.
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I thought the plays would speak for themselves. But they didn't.
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The crimes of the U.S. throughout the world have been systematic, constant, clinical, remorseless, and fully documented but nobody talks about them.
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This particular nurse said, Cancer cells are those which have forgotten how to die. I was so struck by this statement.
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I'll tell you what I really think about politicians. The other night I watched some politicians on television talking about Vietnam. I wanted very much to burst through the screen with a flame thrower and burn their eyes out and their balls off and then inquire from them how they would assess the action from a political point of view.
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I don't write with any audience in mind. I just write. I take a chance on the audience. That's what I did originally, and I think it's worked--in the sense that I find there is an audience.
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One is and is not in the centre of the maelstrom of it all.
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One way of looking at speech is to say it is a constant stratagem to cover nakedness.
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Occasionally it does hit me, the words on a page. And I still love doing that, as I have for the last 60 years.
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How can the unknown merit reverence?
Harold Pinter