What I remember myself from films, and what I love about films, is specific scenes and characters.

Life is beautiful. Really, it is. Full of beauty and illusions. Life is great. Without it, you'd be dead.

Even Gene Kelly: I always preferred him to Fred Astaire, just because he was more athletic, like skateboarding. His leaps were big. There was something really great about his moves.

I see things in a specific way. All the films are different. There are specific characters and scenes and locations and ideas. There are colors I want to see. There are movements and things ... The films are different, but the approach is the same.

I've just always liked watching people dance. I can't explain it. It used to just make me laugh. Sometimes you can tell a lot about a person by the way they shake their ass.

I tried working odd jobs that had nothing to do with creating, and it was difficult for me. In the end, I just always loved movies. When I'm making a film I feel most alive, like I'm doing the right thing, and I'm in the place where I need to be.

Editing is fun for me. That's where you make things happen. Filming a movie, I just try to set things up and see where it goes. Editing is a puzzle. I often don't even know what I'm trying to say. I'm just trying to make myself laugh. That's it. It's musical, or something.

I just wanted it to be American.

For me, making a movie is kind of like vomiting. Not that film is like vomit, but more like this mass of ideas and thoughts that you have and just have to put them out there. It's not even about making perfect sense - it's more about making perfect nonsense. I don't do too much soul-searching or self-analysis. I just enjoy making things.

I've always been pulled toward people who can't seem to make anything fit. It's like a cinema of isolation, of loneliness. They go outside the system and create their own society to develop their obsession to an insane degree.

Gucci Mane is trap rap's Frank Sinatra.

I've never been into alternative, hipster rap music.

A lot of times you can write a scene with a specific song in mind, and then you lay it over the image, and it kills it. I can never figure out why certain music works. Some music you listen to and say, Man, that would be great for a movie. But when you try it, it's horrible, because the music itself is cinematic. The weight of it kills the ima

For certain things, certain audiences, people will laugh. And in other places, there's dead silence. And I enjoy them both. You try to make films where it's never one way - like life.

Often the biggest dreamers get hurt the most. They were pure in their insanity and in their isolation. They were living the dream amongst themselves and didn’t realize it. It’s when they invited the public inside their world that everything went wrong.

After 100 years, films should be getting really complicated. The novel has been reborn about 400 times, but it's like cinema is stuck in the birth canal.