It's nice if you're making a regular pop or rock album and you get ten little songs. But I really try to make the album with one big story instead of ten small stories.

I always spend too much time on getting the details right. That's the problem with computers. They make it possible to change too much of the music after it's been recorded.

The importance of selecting music and sequencing songs - making one song merge into another song. In retrospect, those are the most important lessons I got from DJs.

I think most good music has got some kind of crossover-potential. It feels nice to know that there are more people than those into dance-music that are listening to what I've made.

When I'm working on something and I get to the point where I feel it getting interesting, that's my reward.

I listen a lot to my own music when I'm in the process of making it. In the car, in the kitchen while making food, on my iPod when I go shopping, etc. I listen to it as much as possible, and if I get tired of listening to it, it's not good enough, and I leave it unreleased.

I don't like to put tags on my music. I leave that to others. Seems like some people see me as the founder of space disco, although that's a bit weird since there were lots of music from the late 70s and early 80s that easily fits into this genre. I can understand why we need genres, but I don't feel comfortable using any on my own music.

I wish I could free myself from making music that has a dancefloor-function, or at least try to focus more on all the other elements in music.