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To worship the product and ignore its development leads to dilettantism and reaction.
Hans Hofmann
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Hans Hofmann
Age: 85 †
Born: 1880
Born: January 1
Died: 1966
Died: January 1
Architect
Artist
Drawer
Painter
Weißenburg/Bayern
Hans Georg Albert Hofmann
Johann Georg Albert Hofmann
Johann Hofmann
Hans Hoffman
Hans. Hofmann
Hans Hofmann (1880-1966)
Hofmann
Development
Dilettantism
Reaction
Ignore
Reactions
Leads
Product
Worship
Products
More quotes by Hans Hofmann
It takes intelligence and training, self-discipline and fine-sensibility, to gain renewed life through leisure occupation. America now suffers spiritual poverty, and art must become more fully American life before her leisure can become culture.
Hans Hofmann
A work of art is a world in itself reflecting senses and emotions of the artist's world.
Hans Hofmann
A work of art is finished, from the point of view of the artist, when feeling and perception have resulted in a spiritual synthesis.
Hans Hofmann
Painters must speak through paint, not through words.
Hans Hofmann
Our entire being is nourished by color.
Hans Hofmann
The whole world, as we experience it visually, comes to us through the mystic realm of color. Our entire being is nourished by it. This mystic quality of color should likewise find expression in a work of art.
Hans Hofmann
My aim in painting is to create pulsating, luminous, and open surfaces that emanate a mystic light, in accordance with my deepest insight into the experience of life and nature.
Hans Hofmann
There is in reality no such thing as modern art. Art is carried on up and down in immense cycles through centuries and civilizations.
Hans Hofmann
The child is really an artist, and the artist should be like a child, but he should not stay a child. He must become an artist. That means he cannot permit himself to become sentimental or something like that. He must know what he is doing
Hans Hofmann
Genius is gifted with a vitality which is expended in the enrichment of life through the discovery of new worlds of feeling.
Hans Hofmann
The plastic artist may or may not be concerned with presenting a superficial appearance of reality, but he is always concerned with the presentation - if not the representation - of the plastic values of reality.
Hans Hofmann
Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive space is dynamic space is imbued with movement expressed by forces and counterforces space vibrates and resounds with color, light and form in the rhythm of life.
Hans Hofmann
In nature, light creates the color. In the picture, color creates the light.
Hans Hofmann
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
Hans Hofmann
When the impulses which stir us to profound emotion are integrated with the medium of expression, every interview of the soul may become art. This is contingent upon mastery of the medium.
Hans Hofmann
Art is something absolute, something positive, which gives power just as food gives power. While creative science is a mental food, art is the satisfaction of the soul.
Hans Hofmann
A work of art is a world in itself reflecting senses and emotions of the artist's world. Just as a flower, by virtue of its existence as a complete organism is both ornamental and self-sufficient as to color, form, and texture, so art, because of its singular existence is more than mere ornament.
Hans Hofmann
Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.
Hans Hofmann
The product of movement and counter-movement is tension. When tension working strength is expressed, it endows the work of art with the living effect of coordinated, though opposing, forces.
Hans Hofmann
Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.
Hans Hofmann