Quote

My aim in painting is to create pulsating, luminous, and open surfaces that emanate a mystic light, in accordance with my deepest insight into the experience of life and nature.

Hans Hofmann

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Hans Hofmann
Age: 85 †
Born: 1880
Born: January 1
Died: 1966
Died: January 1
Architect
Artist
Drawer
Painter
Weißenburg/Bayern
Hans Georg Albert Hofmann
Johann Georg Albert Hofmann
Johann Hofmann
Hans Hoffman
Hans. Hofmann
Hans Hofmann (1880-1966)
Hofmann
Energy
Mystic
Experience
Deepest
Nature
Aim
Light
Insight
Pulsating
Life
Surface
Surfaces
Painting
Emanate
Create
Accordance
Open
Luminous

More quotes by Hans Hofmann

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In nature, light creates the color. In the picture, color creates the light.
Hans Hofmann
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Colors must fit together as pieces in a puzzle or cogs in a wheel.
Hans Hofmann
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Being inexhaustible, life and nature are a constant stimulus for a creative mind.
Hans Hofmann
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The product of movement and counter-movement is tension. When tension working strength is expressed, it endows the work of art with the living effect of coordinated, though opposing, forces.
Hans Hofmann
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Our entire being is nourished by color.
Hans Hofmann
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When the impulses which stir us to profound emotion are integrated with the medium of expression, every interview of the soul may become art. This is contingent upon mastery of the medium.
Hans Hofmann
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Nature's purpose in relation to the visual arts is to provide stimulus not imitation. From its ceaseless urge to create springs all Life - all movement and rhythm - time and light, color and mood - in short, all reality in Form and Thought.
Hans Hofmann
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Art is to me the glorification of the human spirit, and as such it is the cultural documentation of the time in which it is produced.
Hans Hofmann
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It is not the form that dictates the color, but the color that brings out the form.
Hans Hofmann
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A work of art is a world in itself reflecting senses and emotions of the artist's world.
Hans Hofmann
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The impulse of nature, fused through the personality of the artist by laws arising from the particular nature of the medium, produces the rhythm and the personal expression of a work. Then the life of the composition becomes a spiritual unity.
Hans Hofmann
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Every art expression is rooted fundamentally in the personality and temperament of the artist.
Hans Hofmann
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A work of art is a world in itself reflecting senses and emotions of the artist's world. Just as a flower, by virtue of its existence as a complete organism is both ornamental and self-sufficient as to color, form, and texture, so art, because of its singular existence is more than mere ornament.
Hans Hofmann
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The plastic artist may or may not be concerned with presenting a superficial appearance of reality, but he is always concerned with the presentation - if not the representation - of the plastic values of reality.
Hans Hofmann
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To experience visually, and to transform our visual experience into plastic terms, requires the faculty of empathy.
Hans Hofmann
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I can't understand how anyone is able to paint without optimism. Despite the general pessimistic attitude in the world today, I am nothing but an optimist.
Hans Hofmann
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Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive space is dynamic space is imbued with movement expressed by forces and counterforces space vibrates and resounds with color, light and form in the rhythm of life.
Hans Hofmann
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Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.
Hans Hofmann
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The whole world, as we experience it visually, comes to us through the mystic realm of color. Our entire being is nourished by it. This mystic quality of color should likewise find expression in a work of art.
Hans Hofmann
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Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.
Hans Hofmann