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Being inexhaustible, life and nature are a constant stimulus for a creative mind.
Hans Hofmann
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Hans Hofmann
Age: 85 †
Born: 1880
Born: January 1
Died: 1966
Died: January 1
Architect
Artist
Drawer
Painter
Weißenburg/Bayern
Hans Georg Albert Hofmann
Johann Georg Albert Hofmann
Johann Hofmann
Hans Hoffman
Hans. Hofmann
Hans Hofmann (1880-1966)
Hofmann
Mind
Life
Inexhaustible
Stimulus
Constant
Environment
Creative
Nature
More quotes by Hans Hofmann
Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.
Hans Hofmann
The child is really an artist, and the artist should be like a child, but he should not stay a child. He must become an artist. That means he cannot permit himself to become sentimental or something like that. He must know what he is doing
Hans Hofmann
Genius is gifted with a vitality which is expended in the enrichment of life through the discovery of new worlds of feeling.
Hans Hofmann
The impulse of nature, fused through the personality of the artist by laws arising from the particular nature of the medium, produces the rhythm and the personal expression of a work. Then the life of the composition becomes a spiritual unity.
Hans Hofmann
There is in reality no such thing as modern art. Art is carried on up and down in immense cycles through centuries and civilizations.
Hans Hofmann
Nature's purpose in relation to the visual arts is to provide stimulus not imitation. From its ceaseless urge to create springs all Life - all movement and rhythm - time and light, color and mood - in short, all reality in Form and Thought.
Hans Hofmann
Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.
Hans Hofmann
Colors must fit together as pieces in a puzzle or cogs in a wheel.
Hans Hofmann
Painters must speak through paint, not through words.
Hans Hofmann
I can't understand how anyone is able to paint without optimism. Despite the general pessimistic attitude in the world today, I am nothing but an optimist.
Hans Hofmann
Art is something absolute, something positive, which gives power just as food gives power. While creative science is a mental food, art is the satisfaction of the soul.
Hans Hofmann
My aim in painting is to create pulsating, luminous, and open surfaces that emanate a mystic light, in accordance with my deepest insight into the experience of life and nature.
Hans Hofmann
Every art expression is rooted fundamentally in the personality and temperament of the artist.
Hans Hofmann
When the impulses which stir us to profound emotion are integrated with the medium of expression, every interview of the soul may become art. This is contingent upon mastery of the medium.
Hans Hofmann
The whole world, as we experience it visually, comes to us through the mystic realm of color. Our entire being is nourished by it. This mystic quality of color should likewise find expression in a work of art.
Hans Hofmann
A work of art is finished, from the point of view of the artist, when feeling and perception have resulted in a spiritual synthesis.
Hans Hofmann
To worship the product and ignore its development leads to dilettantism and reaction.
Hans Hofmann
To experience visually, and to transform our visual experience into plastic terms, requires the faculty of empathy.
Hans Hofmann
Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws second, the artist, who creates a spiritual contact with nature and his materials third, the medium of expression through which the artist translates his inner world.
Hans Hofmann
The plastic artist may or may not be concerned with presenting a superficial appearance of reality, but he is always concerned with the presentation - if not the representation - of the plastic values of reality.
Hans Hofmann