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Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.

Hans Hofmann

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Hans Hofmann
Age: 85 †
Born: 1880
Born: January 1
Died: 1966
Died: January 1
Architect
Artist
Drawer
Painter
Weißenburg/Bayern
Hans Georg Albert Hofmann
Johann Georg Albert Hofmann
Johann Hofmann
Hans Hoffman
Hans. Hofmann
Hans Hofmann (1880-1966)
Hofmann
Mean
Tension
Harmonics
Relationships
Counterpoint
Harmony
Tensions
Creating
Differentiate
Color
Intervals
Special
Formal
Means
Plastic
Music
Produced

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Being inexhaustible, life and nature are a constant stimulus for a creative mind.
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Genius is gifted with a vitality which is expended in the enrichment of life through the discovery of new worlds of feeling.
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The impulse of nature, fused through the personality of the artist by laws arising from the particular nature of the medium, produces the rhythm and the personal expression of a work. Then the life of the composition becomes a spiritual unity.
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Nature's purpose in relation to the visual arts is to provide stimulus not imitation. From its ceaseless urge to create springs all Life - all movement and rhythm - time and light, color and mood - in short, all reality in Form and Thought.
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A work of art is a world in itself reflecting senses and emotions of the artist's world.
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Painters must speak through paint, not through words.
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It is not the form that dictates the color, but the color that brings out the form.
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Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.
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The whole world, as we experience it visually, comes to us through the mystic realm of color. Our entire being is nourished by it. This mystic quality of color should likewise find expression in a work of art.
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It takes intelligence and training, self-discipline and fine-sensibility, to gain renewed life through leisure occupation. America now suffers spiritual poverty, and art must become more fully American life before her leisure can become culture.
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Art cannot result from sophisticated, frivolous, or superficial effects.
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Colors must fit together as pieces in a puzzle or cogs in a wheel.
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My aim in painting is to create pulsating, luminous, and open surfaces that emanate a mystic light, in accordance with my deepest insight into the experience of life and nature.
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Our entire being is nourished by color.
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The plastic artist may or may not be concerned with presenting a superficial appearance of reality, but he is always concerned with the presentation - if not the representation - of the plastic values of reality.
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Every art expression is rooted fundamentally in the personality and temperament of the artist.
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Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
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Art is something absolute, something positive, which gives power just as food gives power. While creative science is a mental food, art is the satisfaction of the soul.
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When the impulses which stir us to profound emotion are integrated with the medium of expression, every interview of the soul may become art. This is contingent upon mastery of the medium.
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To experience visually, and to transform our visual experience into plastic terms, requires the faculty of empathy.
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