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It's not really difficult to go from one voice into the next.

Hank Azaria

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Hank Azaria
Age: 60
Born: 1964
Born: April 25
Dub Actor
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Queens
New York
Henry Albert Azaria
Difficult
Next
Really
Voice

More quotes by Hank Azaria

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I guess for me the greatest injustice is to see people robbed of that interiority and process of association.
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Association bring you into the larger world of other people and things. Not having that is a kind of prison, a prison of such a limited consciousness, of such a limited frame of reference and association.
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I've always been a fan of plain writing. I hate metaphor-laden, heavily larded, lyrical writing.
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You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.
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I joke that my niche in Hollywood has been naked foreigners.
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It's not really difficult to go from one voice into the next. It's like asking you to sing a line of Happy Birthday and then Goodnight Irene - assuming you know the words to both those songs
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I've done literally 100, 150 different characters.
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I would love to do Broadway again.
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That's a true actor's nightmare: Improvise in British sign language. Go.
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It's always impressive when talented comedians are easy laughers or generous with their laughs.
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I tend to not watch things that are current. And then if everybody swears it's amazing then I'll like watch the whole series in a weekend.
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In my cranky old age, I actually prefer recording alone now, on 'The Simpsons,' for example, because I find that the director can just focus on what I'm doing and I can do a lot of variations. A lot of times, when I record with a group, I'll stay after class for another hour or two.
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I just really committed to trying to never repeat myself. I'd seen actors do that on films, and I was, like, I wanna try that once! Ultimately, I'm much more in the school of getting one or two versions that feel right, as opposed to going all over the map. But it's fun to exercise that once in awhile.
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You know those award shows. The cliche is that it's an honor just to be nominated, but that happens to be true. Whoever wins it in the end, I don't know, sometimes it feels arbitrary. Sometimes it feels like it's deserving.
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I put a tremendous amount of pressure on myself. I felt like I shouldn't have to audition for anything and all that. And that energy did not serve me at all.
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Just watching Jack Lemmon made me want to get into this business.
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As an actress, you're living something through the duration of the play and its geography. I've always seen writing the same way. It's like somehow I'm moving through the terrain of the book as a performer.
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I've been divorced and I had to get back out there be single again and do some of that in the genuinely miserable state where you really do wonder what the hell is going on. And you feel like trying to have casual conversation with someone you don't know on the surface of the moon or something.
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When you do well in a movie that's seen as really great, you're revitalized for six weeks.
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There's no experience like on-the-job training.
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