I like elegance. I like art nouveau a stretched line or curve. These things are very much in the foreground of my work.

The creature we finally ended up building is biomechanical to the extent that he has physically grown into, or maybe even out of, his seat, - he's integrated totally into the function he performs.

A good many people think as I do. If they like my work they are creative . . . or they are crazy.

Some people say my work is often depressing and pessimistic, with the emphasis on death, blood, overcrowding, strange beings and so on, but I don't really think it is.

Some people would say my paintings show a future world and maybe they do, but I paint from reality. I put several things and ideas together, and perhaps, when I have finished, it could show the future.

My paintings seem to make the strongest impression on people who are, well, who are crazy.

When the mouth is closed it looks very voluptuous, beautiful. But when it opens its jaws the tongue inside the mouth is more like a spear... also very suggestive... which penetrates the head with greater velocity, snagging bits of brain. From Beauty to the Beast.

The designs and my credit have been stolen from me, since I alone have designed the Alien. So why does Fox not give me the credit I rightfully earned? As for those responsible for this conspiracy: all I can wish them is an Alien breeding inside their chests, which might just remind them that the Alien father is HR Giger.

You get talent when you discover the ground of your pain.

You know, it was just another presentation of my work, and a funny one, because the cards are quite different from the normal Tarot deck, no?