Quote

Brad [Pitt], poor geezer, was blown up, thrown around, burned, slapped, frozen. But never a moan or a whine. Now that's what I call a real star.

Guy Ritchie

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Guy Ritchie
Age: 56
Born: 1968
Born: September 10
Entrepreneur
Film Director
Film Producer
Judoka
Screenwriter
Hatfield
Hertfordshire
Guy Stewart Ritchie
Poor
Brad
Around
Blown
Real
Frozen
Never
Burned
Thrown
Slapped
Star
Whine
Stars
Moan
Call
Pitt

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If you change the rules on what controls you... you will change the rules on what you can control.
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In fact, 95% of the people in my films have been nothing less than a pleasure to work with.
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The most nervous I've ever been was on a 250 pound music video which is the first thing I ever did. And I stepped on there with a directing partner, so I could blame him when everything went tits up. But since then my nerves have incrementally decreased so I'm not plagued by the same sense of nerves as I used to be.
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It's OK to have beliefs, just don't believe in them.
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I don't know enough about Woody Allen to be a fan of him.
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You get a different kick out of all aspects of filmmaking.
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I think everything you do, characters I always find, have their own voices and once you establish who that character is you find a different voice. I think it's just a question of establishing that character and the voice speaks through that character.
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It's not easy to strap yourself down to a desk and bash on a keyboard when you know you can direct lots of films, because directing films is fun and interactive and gregarious. Writing isn't.
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I like to think that we've got a plan, so let's stick to it. That said, once we've stuck to it, we're allowed as much improvisation as anyone cares to indulge themselves in.
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The idea is that that there is no such thing as an external enemy.
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I am relatively familiar with getting a good old rumping from the critics. In some cases, the critics just didn't like the film - fair cop. Others, I think, didn't understand it.
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I'm single again and I wouldn't have it any other way. I'm loving it at the moment. This is what I've been missing.
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I'm not under too much of an illusion of how smart or un-smart I am because filmmaking ultimately is about teamwork.
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Previously, on Lock, Stock, I went to bed at two in the morning and woke up at five in the morning, and on this one I was known to nod off on the set occasionally.
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I think it's that much harder to make a good comedy than it is straight and apparently serious.
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We can all be conned but at what point do we realize that we're being conned and to what point do we allow ourselves to be conned?
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I'm not politically motivated. I used to be - passionately. I used to be very Left wing. Then I went very Right wing, and now I rest somewhere in the middle.
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The English countryside is the most staggeringly beautiful place. I can't spend as much time there as I like, but I like everything about it. I like fishing, I like clay- pigeon shooting.
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I got too fed up with films that didn't make you think. I liked the idea of one that you'd have to be dancing around with. I like my mind to be engaged when I watch a film.
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