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It's really interesting making films and actually seeing the life that they have in the subsequent years and seeing which ones stand up over time and which ones sort of fade away.

Guy Pearce

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Guy Pearce
Age: 57
Born: 1967
Born: October 5
Actor
Film Actor
Musician
Stage Actor
Television Actor
Ely
Cambridgeshire
Guy Edward Pearce
Years
Stand
Really
Sort
Time
Seeing
Life
Interesting
Subsequent
Actually
Fade
Making
Fades
Away
Films
Film
Ones

More quotes by Guy Pearce

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A movie that gets a PG-13 rating can show someone running down a street killing 27 people. And there are no repercussions.
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I reckon it's more of an external perspective that on some level you really can control and dictate how your career's going to go.
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I've not often been a man of many words. I've never considered myself to be overly articulate. I do feel more comfortable acting something out than I do explaining something or whatever.
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Just because there are things I don't remember, doesn't mean my actions are meaningless. The whole world doesn't just disappear when you close your eyes, does it?
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I'll generally write out every scene that's in the film on a couple of pieces of paper, just with a little one-line. And then I can scan it a bit and go, 'This first third of the film, generally, I'm kind of calm.' Then I might do something on one piece of paper that just relates to the energy of the character.
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I don't believe in God, but the thing I do believe in is that we're all connected.
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You never really know what the director has got in his mind as far as the scene visually and art direction wise, etc. Even if you do, sometimes there's a side of things that don't necessarily gel the way people intend. So there a bit of a mystical entity, film.
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I don't enjoy movies in 3D. I find I can't engage with the story as well.
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I have a real love of sound and the shape of the sound. I'm a musician, and I'm fascinated with the effects of sound, and tone, and pitch and melody and all that sort of stuff.
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I really enjoy a variety of different work, and what I've just done may sometimes determine what I choose to do next.
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I am geared towards communicating on a female level.
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Every time you say yes to a film there's a certain percentage of your yes that has to do with the director, a certain percentage to do with the story, a certain percentage with the character, the location, etc.
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You meet these people who are confident all the time. They annoy me. And I wonder if it's because I'm envious or if it's because they're shallow.
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I grew up with such an affinity to cats. I adore the way that they think and operate.
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I think that you can say something in one line with a look that you might need three lines on a page for normally.
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You do feel kind of nervous about any film you take on.
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Australia's not so bad with me, really, people are pretty cool with me at home, but in England it feels a little bit scary.
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A lot of action characters are a little bit too serious as well. They take themselves a bit too seriously, which I don't find particularly interesting, whereas I like the fact that there was at least some humor in this because really it's a piece of entertainment.
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There's many more films being made in America than there are in Australia. You make four hundred and fifty films a year, we make twenty-five.
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Choosing work is an interesting thing. It's a balance between what's available and what you've always got in the back of your mind - that awful, strange thing that seems to have to exist in this industry, of what will give you exposure.
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