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I've long believed that anybody who is in the act of remembering childhood is a poet, because you're thinking back on times when you were making false models of the universe. Everything is kind of irrational and poetic then.

Guy Maddin

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Guy Maddin
Age: 68
Born: 1956
Born: February 28
Actor
Camera Operator
Cinematographer
Film Director
Film Producer
Screenwriter
Winnipeg
Manitoba
Long
Poet
Kind
Anybody
Remembering
Thinking
Times
Irrational
Universe
Poetic
Making
Believed
Remember
False
Back
Models
Everything
Childhood

More quotes by Guy Maddin

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Older recordings just seemed to take me somewhere into my own pre-history. That's always been an interesting, sort of sphinx-like territory for me to wander around in.
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I love melodrama. I love the simple fact. When you read Euripides he's a page turner. It's like reading a Mexican comic book romance.
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Those are my goals, you know. To be smart, tasteless, and feeling. Something to shoot for.
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In many relationships that I've had people just try to own the other person.
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Making the ballet really taught me how to get things moving. Ballet dancers don't stand still.
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I think I've indulged in a pathological, chronic nostalgia over the years, which I've traced back to my childhood. I was the last of four children, born well after the other three, so I was left on my own in a big, quiet house where most of the people had left, and even the echoes of a happy family had all died out.
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You also convert real memories, whatever that means, into film versions of those memories. Because by the time you've finished the project you can't remember the real memories anymore, you just remember the film versions of them. And then if the film failed you have distaste for them. So I don't think about that stuff anymore.
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No one ever gets to see Foley artists at work, and they're so strange. They see the world differently: things as things that might make sounds that sound like other things. They see the whole world that way - like when you're a house painter, all you see is a bunch of houses that need painting.
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Shredded feelings are the fuel that feed the machinery of melodrama. And good melodrama just has honest feelings and is honest about the way people interact.
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I probably live in the best province for independent filmmakers. Manitoba has a sort of thieving-magpie approach, trying to lift productions from other provinces as well as from other countries. It makes it very hard for me to leave.
Guy Maddin
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But in the act of attempting to imitate I discovered that I had a voice of my own. Whether I liked it or not was another matter. I found that I was my best or that I pleased myself most or came closest to my goals when I was tapped into something autobiographical.
Guy Maddin
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I've never made movies to reach millions of people.
Guy Maddin
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I was too lazy to read, and I was even too lazy to imagine scenarios drawn up by the pictures. They just suggested a flavor to me. I swallowed them whole, like hosts. It was a form of worship.
Guy Maddin
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I'm a nervous wreck. If it's a 20-day shoot, at lunchtime on the first day, I'm thinking Only 19 and a half days to go... I can make it!
Guy Maddin
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I like going out to popcorn-munchers.
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Some Jungian or Freudian would tell me I'm just trying to go back to the womb... at gunpoint, if necessary.
Guy Maddin
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The bone-breaking thing is something that I put in many narratives.
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I wandered around in a confused daze for most of the '90s unable to even remember why I wanted to be a filmmaker and somehow I found myself at the turn of the century. I used lost film as an excuse to express myself.
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I feel the need to chastise myself. A movie that's a partial musical, full-on melodrama, should require a tremendous amount of planning.
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Well, I had a wolverine. It was supposed to be a cat, but Jason (Patric) is allergic to cats. I can't remember where I got it. Some back alley taxidermy, maybe? But I think I got it at The Bay taxidermy department. Downtown Winnipeg. Next to the tumbleweeds.
Guy Maddin